Similarities between Harmonic seventh chord and Secondary chord
Harmonic seventh chord and Secondary chord have 4 things in common (in Unionpedia): Chord (music), Dominant seventh chord, Major chord, Secondary chord.
Chord (music)
A chord, in music, is any harmonic set of pitches consisting of two or more (usually three or more) notes (also called "pitches") that are heard as if sounding simultaneously.
Chord (music) and Harmonic seventh chord · Chord (music) and Secondary chord ·
Dominant seventh chord
In music theory, a dominant seventh chord, or major minor seventh chord, is a chord composed of a root, major third, perfect fifth, and minor seventh.
Dominant seventh chord and Harmonic seventh chord · Dominant seventh chord and Secondary chord ·
Major chord
In music theory, a major chord is a chord that has a root note, a major third above this root, and a perfect fifth above this root note.
Harmonic seventh chord and Major chord · Major chord and Secondary chord ·
Secondary chord
A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period, the use of diatonic functions for tonicization. In the tonal idiom, a song or piece of music has a tonic note and chord, which is based on the root of the key that the piece is in. The most important chords in a tonal song or piece are the tonic chord (labeled as I in harmonic analysis) and the dominant chord (V). A piece or song is said to be in the key of the tonic. In the key of C major, the tonic chord is C major and the dominant chord is G. Chords are named after the function they serve and their position (for example, the "dominant" is considered the most important after the tonic and the "subdominant" is the same distance from the tonic as the dominant but below rather than above) and numbered by the scale step of the chord's base note (the root of the vi chord is the sixth scale step). Secondary chords are altered or borrowed chords, chords which are not in the key. Secondary chords are referred to as the function they are serving of the key or chord to which they function and written "function/key". Thus, the dominant of the dominant is written "V/V" and read as, "five of five," or, "dominant of the dominant". Any scale degree with a major or minor chord on it may have any secondary function applied to it; secondary functions may be applied to diminished triads in some special circumstances. Secondary chords were not used until the Baroque period and are found more frequently and freely in the Classical period, even more so in the Romantic period, and, although they began to be used less frequently with the breakdown of conventional harmony in modern classical music, secondary dominants are a "cornerstone," of popular music and jazz of the 20th century.Benward & Saker (2003), p.273-7.
Harmonic seventh chord and Secondary chord · Secondary chord and Secondary chord ·
The list above answers the following questions
- What Harmonic seventh chord and Secondary chord have in common
- What are the similarities between Harmonic seventh chord and Secondary chord
Harmonic seventh chord and Secondary chord Comparison
Harmonic seventh chord has 27 relations, while Secondary chord has 75. As they have in common 4, the Jaccard index is 3.92% = 4 / (27 + 75).
References
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