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Italian Renaissance painting and Uffizi

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Italian Renaissance painting and Uffizi

Italian Renaissance painting vs. Uffizi

Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian peninsula, which was at that time divided into many political areas. The Uffizi Gallery (italic) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy.

Similarities between Italian Renaissance painting and Uffizi

Italian Renaissance painting and Uffizi have 42 things in common (in Unionpedia): Albrecht Dürer, Ambrogio Lorenzetti, Andrea del Verrocchio, Andrea Mantegna, Bronzino, Caravaggio, Cimabue, Diego Velázquez, Doni Tondo, Duccio, El Greco, Filippo Lippi, Florence, Fra Angelico, Fresco, Gentile da Fabriano, Giorgio Vasari, Giorgione, Giotto, Giovanni Bellini, House of Medici, Hugo van der Goes, Leonardo da Vinci, Lives of the Most Excellent Painters, Sculptors, and Architects, Masaccio, Michelangelo, Neoclassicism, Paolo Uccello, Paolo Veronese, Parmigianino, ..., Perspective (graphical), Peter Paul Rubens, Piero della Francesca, Portinari Altarpiece, Primavera (painting), Raphael, Rembrandt, Rogier van der Weyden, Sandro Botticelli, Simone Martini, The Birth of Venus, Titian. Expand index (12 more) »

Albrecht Dürer

Albrecht Dürer (21 May 1471 – 6 April 1528)Müller, Peter O. (1993) Substantiv-Derivation in Den Schriften Albrecht Dürers, Walter de Gruyter.

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Ambrogio Lorenzetti

Ambrogio Lorenzetti (or Ambruogio Laurati) (c. 1290 – 9 June 1348) was an Italian painter of the Sienese school.

Ambrogio Lorenzetti and Italian Renaissance painting · Ambrogio Lorenzetti and Uffizi · See more »

Andrea del Verrocchio

Andrea del Verrocchio (1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence.

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Andrea Mantegna

Andrea Mantegna (September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini.

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Bronzino

Agnolo di Cosimo (November 17, 1503November 23, 1572), usually known as Bronzino ("Il Bronzino" in Italian), or Agnolo Bronzino, was an Italian Mannerist painter, born in Florence.

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Caravaggio

Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio (28 September 1571 – 18 July 1610) was an Italian painter active in Rome, Naples, Malta, and Sicily from the early 1590s to 1610.

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Cimabue

Cimabue (1240 – 1302),Vasari, G. Lives of the Artists.

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Diego Velázquez

Diego Rodríguez de Silva y Velázquez (baptized on June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age.

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Doni Tondo

The Doni Tondo or Doni Madonna, is the only finished panel painting by the mature Michelangelo to survive.

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Duccio

Duccio di Buoninsegna (c. 1255–1260 – c. 1318–1319) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th centuries.

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El Greco

Doménikos Theotokópoulos (Δομήνικος Θεοτοκόπουλος; October 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a painter, sculptor and architect of the Spanish Renaissance.

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Filippo Lippi

Fra' Filippo Lippi, O.Carm. (c. 1406 – 8 October 1469), also called Lippo Lippi, was an Italian painter of the Quattrocento (15th century).

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Florence

Florence (Firenze) is the capital city of the Italian region of Tuscany.

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Fra Angelico

Fra Angelico (born Guido di Pietro; February 18, 1455) was an Early Italian Renaissance painter described by Vasari in his Lives of the Artists as having "a rare and perfect talent".

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Fresco

Fresco (plural frescos or frescoes) is a technique of mural painting executed upon freshly laid, or wet lime plaster.

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Gentile da Fabriano

Gentile da Fabriano (1370 – 1427) was an Italian painter known for his participation in the International Gothic painter style.

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Giorgio Vasari

Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian painter, architect, writer, and historian, most famous today for his Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of art-historical writing.

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Giorgione

Giorgione (born Giorgio Barbarelli da Castelfranco; c. 1477/78–1510) was an Italian painter of the Venetian school in the High Renaissance from Venice, whose career was ended by his death at a little over 30.

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Giotto

Giotto di Bondone (1267 – January 8, 1337), known mononymously as Giotto and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages.

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Giovanni Bellini

Giovanni Bellini (c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters.

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House of Medici

The House of Medici was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the first half of the 15th century.

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Hugo van der Goes

Hugo van der Goes (probably Ghent c. 1430/1440 – Auderghem 1482) was one of the most significant and original Flemish painters of the late 15th century.

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Leonardo da Vinci

Leonardo di ser Piero da Vinci (15 April 14522 May 1519), more commonly Leonardo da Vinci or simply Leonardo, was an Italian polymath of the Renaissance, whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography.

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Lives of the Most Excellent Painters, Sculptors, and Architects

The Lives of the Most Excellent Painters, Sculptors, and Architects (Le Vite de' più eccellenti pittori, scultori, e architettori), also known as The Lives (Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "the first important book on art history".

Italian Renaissance painting and Lives of the Most Excellent Painters, Sculptors, and Architects · Lives of the Most Excellent Painters, Sculptors, and Architects and Uffizi · See more »

Masaccio

Masaccio (December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance.

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Michelangelo

Michelangelo di Lodovico Buonarroti Simoni or more commonly known by his first name Michelangelo (6 March 1475 – 18 February 1564) was an Italian sculptor, painter, architect and poet of the High Renaissance born in the Republic of Florence, who exerted an unparalleled influence on the development of Western art.

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Neoclassicism

Neoclassicism (from Greek νέος nèos, "new" and Latin classicus, "of the highest rank") is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of classical antiquity.

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Paolo Uccello

Paolo Uccello (1397 – 10 December 1475), born Paolo di Dono, was an Italian painter and mathematician who was notable for his pioneering work on visual perspective in art.

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Paolo Veronese

Paolo Caliari, known as Paolo Veronese (1528 – 19 April 1588), was an Italian Renaissance painter, based in Venice, known for large-format history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573).

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Parmigianino

Girolamo Francesco Maria Mazzola (also known as Francesco Mazzola or, more commonly, as Parmigianino ("the little one from Parma"); 11 January 150324 August 1540) was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma.

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Perspective (graphical)

Perspective (from perspicere "to see through") in the graphic arts is an approximate representation, generally on a flat surface (such as paper), of an image as it is seen by the eye.

Italian Renaissance painting and Perspective (graphical) · Perspective (graphical) and Uffizi · See more »

Peter Paul Rubens

Sir Peter Paul Rubens (28 June 1577 – 30 May 1640) was a Flemish artist.

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Piero della Francesca

Piero della Francesca (c. 1415 – 12 October 1492) was an Italian painter of the Early Renaissance.

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Portinari Altarpiece

The Portinari Altarpiece or Portinari Triptych (c. 1475) is an oil on wood triptych painting by the Flemish painter Hugo van der Goes representing the Adoration of the Shepherds.

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Primavera (painting)

Primavera (meaning "Spring"), is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s (datings vary).

Italian Renaissance painting and Primavera (painting) · Primavera (painting) and Uffizi · See more »

Raphael

Raffaello Sanzio da Urbino (March 28 or April 6, 1483April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance.

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Rembrandt

Rembrandt Harmenszoon van Rijn (15 July 1606 – 4 October 1669) was a Dutch draughtsman, painter, and printmaker.

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Rogier van der Weyden

Rogier van der Weyden or Roger de la Pasture (1399 or 140018 June 1464) was an Early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits.

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Sandro Botticelli

Alessandro di Mariano di Vanni Filipepi (c. 1445 – May 17, 1510), known as Sandro Botticelli, was an Italian painter of the Early Renaissance.

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Simone Martini

Simone Martini (– 1344) was an Italian painter born in Siena.

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The Birth of Venus

The Birth of Venus (Nascita di Venere) is a painting by the Italian artist Sandro Botticelli probably made in the mid 1480s.

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Titian

Tiziano Vecelli or Tiziano Vecellio (1488/1490 – 27 August 1576), known in English as Titian, was an Italian painter, the most important member of the 16th-century Venetian school.

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The list above answers the following questions

Italian Renaissance painting and Uffizi Comparison

Italian Renaissance painting has 232 relations, while Uffizi has 110. As they have in common 42, the Jaccard index is 12.28% = 42 / (232 + 110).

References

This article shows the relationship between Italian Renaissance painting and Uffizi. To access each article from which the information was extracted, please visit:

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