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Journey to Midnight and Journey to the Unknown (film)

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Journey to Midnight and Journey to the Unknown (film)

Journey to Midnight vs. Journey to the Unknown (film)

Journey to Midnight is a 1971 British made-for-television film version of two episodes derived from the 1968–1969 anthology television series Journey to the Unknown starring Chad Everett and Julie Harris, directed by Roy Ward Baker and Alan Gibson. Journey to the Unknown is a 1970 British made-for-television film version of two episodes derived from the 1968–69 anthology television series starring Vera Miles and Patty Duke, directed by Michael Lindsay-Hogg and Don Chaffey.

Similarities between Journey to Midnight and Journey to the Unknown (film)

Journey to Midnight and Journey to the Unknown (film) have 9 things in common (in Unionpedia): American Broadcasting Company, Anthony Hinds, Broadcast syndication, Hammer Film Productions, Joan Crawford, Joan Harrison (screenwriter), Journey into Darkness (film), Journey to the Unknown, Television film.

American Broadcasting Company

The American Broadcasting Company (ABC) is an American commercial broadcast television network that is a flagship property of Disney–ABC Television Group, a subsidiary of the Disney Media Networks division of The Walt Disney Company.

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Anthony Hinds

Anthony Frank Hinds, also known as Tony Hinds and John Elder (19 September 1922 – 30 September 2013),, telegraph.co.uk, 3 October 2013 was an English screenwriter and producer.

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Broadcast syndication

Broadcasting syndication is the license to broadcast television programs and radio programs by multiple television stations and radio stations, without going through a broadcast network.

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Hammer Film Productions

Hammer Film Productions is a British film production company based in London.

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Joan Crawford

Joan Crawford (born Lucille Fay LeSueur; March 23, c. 1904 – May 10, 1977) was an American film and television actress who began her career as a dancer and stage showgirl. In 1999, the American Film Institute ranked Crawford tenth on its list of the greatest female stars of Classic Hollywood Cinema. Beginning her career as a dancer in traveling theatrical companies, before debuting as a chorus girl on Broadway, Crawford signed a motion picture contract with Metro-Goldwyn-Mayer in 1925. In the 1930s, Crawford's fame rivaled, and later outlasted, MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hard-working young women who find romance and success. These stories were well received by Depression-era audiences, and were popular with women. Crawford became one of Hollywood's most prominent movie stars, and one of the highest-paid women in the United States, but her films began losing money, and, by the end of the 1930s, she was labelled "box office poison". But her career gradually improved in the early 1940s, and she made a major comeback in 1945 by starring in Mildred Pierce, for which she won the Academy Award for Best Actress. She would go on to receive Best Actress nominations for Possessed (1947) and Sudden Fear (1952). She continued to act in film and television throughout the 1950s and 1960s; she achieved box office success with the highly successful horror film Whatever Happened To Baby Jane? (1962), in which she starred alongside Bette Davis, her long-time rival. In 1955, Crawford became involved with the Pepsi-Cola Company through her marriage to company Chairman Alfred Steele. After his death in 1959, Crawford was elected to fill his vacancy on the board of directors, serving until she was forcibly retired in 1973. After the release of the British horror film Trog in 1970, Crawford retired from the screen. Following a public appearance in 1974, after which unflattering photographs were published, Crawford withdrew from public life and became increasingly reclusive until her death in 1977. Crawford married four times. Her first three marriages ended in divorce; the last ended with the death of husband Alfred Steele. She adopted five children, one of whom was reclaimed by his birth mother. Crawford's relationships with her two elder children, Christina and Christopher, were acrimonious. Crawford disinherited the two, and, after Crawford's death, Christina wrote a well-known "tell-all" memoir titled Mommie Dearest (1978).

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Joan Harrison (screenwriter)

Joan Harrison (26 June 1907 – 14 August 1994) was an English screenwriter and producer for motion pictures and television.

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Journey into Darkness (film)

Journey into Darkness is a 1968 British made-for-television film version of two episodes derived from the 1968–1969 anthology television series Journey to the Unknown starring Robert Reed and Jennifer Hilary, directed by Peter Sasdy and James Hill.

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Journey to the Unknown

Journey to the Unknown is a British anthology television series, produced by Hammer Film Productions and 20th Century Fox Television.

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Television film

A television film (also known as a TV movie, TV film, television movie, telefilm, telemovie, made-for-television movie, made-for-television film, direct-to-TV movie, direct-to-TV film, movie of the week, feature-length drama, single drama and original movie) is a feature-length motion picture that is produced for, and originally distributed by or to, a television network, in contrast to theatrical films, which are made explicitly for initial showing in movie theaters.

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The list above answers the following questions

Journey to Midnight and Journey to the Unknown (film) Comparison

Journey to Midnight has 24 relations, while Journey to the Unknown (film) has 23. As they have in common 9, the Jaccard index is 19.15% = 9 / (24 + 23).

References

This article shows the relationship between Journey to Midnight and Journey to the Unknown (film). To access each article from which the information was extracted, please visit:

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