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Khovanshchina and National Theatre in Belgrade

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Khovanshchina and National Theatre in Belgrade

Khovanshchina vs. National Theatre in Belgrade

Khovanshchina (Хованщина, Hovánščina, sometimes rendered The Khovansky Affair; since the ending -ščina is pejorative) is an opera (subtitled a 'national music drama') in five acts by Modest Mussorgsky. The work was written between 1872 and 1880 in St. Petersburg, Russia. The composer wrote the libretto based on historical sources. The opera was unfinished and unperformed when the composer died in 1881. Like Mussorgsky's earlier Boris Godunov, Khovanshchina deals with an episode in Russian history, first brought to the composer's attention by his friend the critic Vladimir Stasov. It concerns the rebellion of Prince Ivan Khovansky, the Old Believers, and the Muscovite Streltsy against the regent Sofia Alekseyevna and the two young Tsars Peter the Great and Ivan V, who were attempting to institute Westernizing reforms in Russia. Khovansky had helped to foment the Moscow Uprising of 1682, which resulted in Sofia becoming regent on behalf of her younger brother Ivan and half-brother Peter, who were crowned joint Tsars. In the fall of 1682 Prince Ivan Khovansky turned against Sofia. Supported by the Old Believers and the Streltsy, Khovansky — who supposedly wanted to install himself as the new regent — demanded the reversal of Patriarch Nikon's reforms. Sofia and her court were forced to flee Moscow. Eventually, Sofia managed to suppress the so-called Khovanshchina (Khovansky affair) with the help of the diplomat Fyodor Shaklovity, who succeeded Khovansky as leader of the Muscovite Streltsy. With the rebellion crushed, the Old Believers committed mass suicide (in the opera, at least). Nikolai Rimsky-Korsakov completed, revised, and scored Khovanshchina in 1881–1882. Because of his extensive cuts and "recomposition", Dmitri Shostakovich revised the opera in 1959 based on Mussorgsky's vocal score, and it is the Shostakovich version that is usually performed. In 1913 Igor Stravinsky and Maurice Ravel made their own arrangement at Sergei Diaghilev's request. When Feodor Chaliapin refused to sing the part of Dosifei in any other orchestration than Rimsky-Korsakov's, Diaghilev's company employed a mixture of orchestrations which did not prove successful. The Stravinsky-Ravel orchestration was forgotten, except for Stravinsky's finale, which is still sometimes used. Although the background of the opera comprises the Moscow Uprising of 1682 and the Khovansky affair a few months later, its main themes are the struggle between progressive and reactionary political factions during the minority of Tsar Peter the Great and the passing of old Muscovy before Peter's westernizing reforms. It received its first performance in the Rimsky-Korsakov edition in 1886. The National Theatre (Народно позориште / Narodno pozorište) is a theatre located in Belgrade, Serbia.

Similarities between Khovanshchina and National Theatre in Belgrade

Khovanshchina and National Theatre in Belgrade have 3 things in common (in Unionpedia): Boris Godunov (opera), National Theatre in Belgrade, Opera.

Boris Godunov (opera)

Boris Godunov (Борис Годунов, Borís Godunóv) is an opera by Modest Mussorgsky (1839–1881).

Boris Godunov (opera) and Khovanshchina · Boris Godunov (opera) and National Theatre in Belgrade · See more »

National Theatre in Belgrade

The National Theatre (Народно позориште / Narodno pozorište) is a theatre located in Belgrade, Serbia.

Khovanshchina and National Theatre in Belgrade · National Theatre in Belgrade and National Theatre in Belgrade · See more »

Opera

Opera (English plural: operas; Italian plural: opere) is a form of theatre in which music has a leading role and the parts are taken by singers.

Khovanshchina and Opera · National Theatre in Belgrade and Opera · See more »

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Khovanshchina and National Theatre in Belgrade Comparison

Khovanshchina has 143 relations, while National Theatre in Belgrade has 87. As they have in common 3, the Jaccard index is 1.30% = 3 / (143 + 87).

References

This article shows the relationship between Khovanshchina and National Theatre in Belgrade. To access each article from which the information was extracted, please visit:

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