Faster access than browser!Similarities between Opera and Vocal pedagogy
Opera and Vocal pedagogy have 25 things in common (in Unionpedia): Baritone, Bass (voice type), Bel canto, Castrato, Classical music, Classical period (music), Coloratura, Contralto, Countertenor, Fach, Larynx, Mezzo-soprano, Musical theatre, Renaissance, Romanticism, Singing, Soprano, Stanley Sadie, Tenor, Tessitura, The New Grove Dictionary of Music and Musicians, Timbre, Vocal range, Vocal weight, Voice type.
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice types.
Baritone and Opera · Baritone and Vocal pedagogy ·
Bass (voice type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types.
Bass (voice type) and Opera · Bass (voice type) and Vocal pedagogy ·
Bel canto
Bel canto (Italian for "beautiful singing" or "beautiful song"), along with a number of similar constructions ("bellezze del canto"/"bell'arte del canto"), is a term relating to Italian singing.
Bel canto and Opera · Bel canto and Vocal pedagogy ·
Castrato
A castrato (Italian, plural: castrati) is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto.
Castrato and Opera · Castrato and Vocal pedagogy ·
Classical music
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music.
Classical music and Opera · Classical music and Vocal pedagogy ·
Classical period (music)
The Classical period was an era of classical music between roughly 1730 to 1820, associated with the style of Haydn, Mozart and Beethoven.
Classical period (music) and Opera · Classical period (music) and Vocal pedagogy ·
Coloratura
The word coloratura is originally from Italian, literally meaning "coloring", and derives from the Latin word colorare ("to color").
Coloratura and Opera · Coloratura and Vocal pedagogy ·
Contralto
A contralto is a type of classical female singing voice whose vocal range is the lowest female voice type.
Contralto and Opera · Contralto and Vocal pedagogy ·
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.
Countertenor and Opera · Countertenor and Vocal pedagogy ·
Fach
The German system (literally "compartment" or "subject of study", here in the sense of "vocal specialization") is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices.
Fach and Opera · Fach and Vocal pedagogy ·
Larynx
The larynx, commonly called the voice box, is an organ in the top of the neck of tetrapods involved in breathing, producing sound, and protecting the trachea against food aspiration.
Larynx and Opera · Larynx and Vocal pedagogy ·
Mezzo-soprano
A mezzo-soprano or mezzo (meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types.
Mezzo-soprano and Opera · Mezzo-soprano and Vocal pedagogy ·
Musical theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.
Musical theatre and Opera · Musical theatre and Vocal pedagogy ·
Renaissance
The Renaissance is a period in European history, covering the span between the 14th and 17th centuries.
Opera and Renaissance · Renaissance and Vocal pedagogy ·
Romanticism
Romanticism (also known as the Romantic era) was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850.
Opera and Romanticism · Romanticism and Vocal pedagogy ·
Singing
Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques.
Opera and Singing · Singing and Vocal pedagogy ·
Soprano
A soprano is a type of classical female singing voice and has the highest vocal range of all voice types.
Opera and Soprano · Soprano and Vocal pedagogy ·
Stanley Sadie
Stanley John Sadie, CBE (30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor.
Opera and Stanley Sadie · Stanley Sadie and Vocal pedagogy ·
Tenor
Tenor is a type of classical male singing voice, whose vocal range is normally the highest male voice type, which lies between the baritone and countertenor voice types.
Opera and Tenor · Tenor and Vocal pedagogy ·
Tessitura
In music, tessitura (pl. tessiture, "texture") is the most esthetically acceptable and comfortable vocal range for a given singer or, less frequently, musical instrument; the range in which a given type of voice presents its best-sounding (or characteristic) timbre.
Opera and Tessitura · Tessitura and Vocal pedagogy ·
The New Grove Dictionary of Music and Musicians
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians.
Opera and The New Grove Dictionary of Music and Musicians · The New Grove Dictionary of Music and Musicians and Vocal pedagogy ·
Timbre
In music, timbre (also known as tone color or tone quality from psychoacoustics) is the perceived sound quality of a musical note, sound or tone.
Opera and Timbre · Timbre and Vocal pedagogy ·
Vocal range
Vocal range is the measure of the breadth of pitches that a human voice can phonate.
Opera and Vocal range · Vocal pedagogy and Vocal range ·
Vocal weight
Vocal weight refers to the perceived "lightness" or "heaviness" of a singing voice.
Opera and Vocal weight · Vocal pedagogy and Vocal weight ·
Voice type
A voice type classifies a singing voice by vocal range, vocal weight, tessitura, vocal timbre, vocal transition points (passaggia) like breaks and lifts, and vocal register.
The list above answers the following questions
- What Opera and Vocal pedagogy have in common
- What are the similarities between Opera and Vocal pedagogy
Opera and Vocal pedagogy Comparison
Opera has 608 relations, while Vocal pedagogy has 123. As they have in common 25, the Jaccard index is 3.42% = 25 / (608 + 123).
References
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