Faster access than browser!Similarities between Requiem (Mozart) and Sonata form
Requiem (Mozart) and Sonata form have 20 things in common (in Unionpedia): B-flat major, Baroque music, Cadence (music), Carl Czerny, D minor, Dominant (music), E-flat major, Exposition (music), F major, Introduction (music), Key (music), Modulation (music), Movement (music), Recapitulation (music), Relative key, Sonata form, Subdominant, Subject (music), Submediant, Wolfgang Amadeus Mozart.
B-flat major
In music theory, Bflat major is a major scale based on flat, with pitches B, C, D, flat, F, G, and A. Its key signature has two flats.
B-flat major and Requiem (Mozart) · B-flat major and Sonata form ·
Baroque music
Baroque music is a style of Western art music composed from approximately 1600 to 1750.
Baroque music and Requiem (Mozart) · Baroque music and Sonata form ·
Cadence (music)
In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).
Cadence (music) and Requiem (Mozart) · Cadence (music) and Sonata form ·
Carl Czerny
Carl Czerny (21 February 17919 August 1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works.
Carl Czerny and Requiem (Mozart) · Carl Czerny and Sonata form ·
D minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, flat, and C. Its key signature has one flat.
D minor and Requiem (Mozart) · D minor and Sonata form ·
Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale.
Dominant (music) and Requiem (Mozart) · Dominant (music) and Sonata form ·
E-flat major
E-flat major (or the key of E-flat) is a major scale based on flat, with the pitches flat, F, G, flat, flat, C, and D. Its key signature has three flats: B, E, and A. Its relative minor is C minor, while its parallel minor is flat minor (or enharmonically sharp minor).
E-flat major and Requiem (Mozart) · E-flat major and Sonata form ·
Exposition (music)
In musical form and analysis, exposition is the initial presentation of the thematic material of a musical composition, movement, or section.
Exposition (music) and Requiem (Mozart) · Exposition (music) and Sonata form ·
F major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, flat, C, D, and E. Its key signature has one flat: B. Its relative minor is D minor and its parallel minor is F minor.
F major and Requiem (Mozart) · F major and Sonata form ·
Introduction (music)
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics.
Introduction (music) and Requiem (Mozart) · Introduction (music) and Sonata form ·
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a music composition in classical, Western art, and Western pop music.
Key (music) and Requiem (Mozart) · Key (music) and Sonata form ·
Modulation (music)
In music, modulation is most commonly the act or process of changing from one key (tonic, or tonal center) to another.
Modulation (music) and Requiem (Mozart) · Modulation (music) and Sonata form ·
Movement (music)
A movement is a self-contained part of a musical composition or musical form.
Movement (music) and Requiem (Mozart) · Movement (music) and Sonata form ·
Recapitulation (music)
In music theory, the recapitulation is one of the sections of a movement written in sonata form.
Recapitulation (music) and Requiem (Mozart) · Recapitulation (music) and Sonata form ·
Relative key
In music, relative keys are the major and minor scales that have the same key signatures.
Relative key and Requiem (Mozart) · Relative key and Sonata form ·
Sonata form
Sonata form (also sonata-allegro form or first movement form) is a musical structure consisting of three main sections: an exposition, a development, and a recapitulation.
Requiem (Mozart) and Sonata form · Sonata form and Sonata form ·
Subdominant
In music, the subdominant is the technical name for the fourth tonal degree of the diatonic scale.
Requiem (Mozart) and Subdominant · Sonata form and Subdominant ·
Subject (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based.
Requiem (Mozart) and Subject (music) · Sonata form and Subject (music) ·
Submediant
In music, the submediant is the sixth scale degree of the diatonic scale, the 'lower mediant', halfway between the tonic and the subdominant or 'lower dominant'.
Requiem (Mozart) and Submediant · Sonata form and Submediant ·
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.
Requiem (Mozart) and Wolfgang Amadeus Mozart · Sonata form and Wolfgang Amadeus Mozart ·
The list above answers the following questions
- What Requiem (Mozart) and Sonata form have in common
- What are the similarities between Requiem (Mozart) and Sonata form
Requiem (Mozart) and Sonata form Comparison
Requiem (Mozart) has 344 relations, while Sonata form has 178. As they have in common 20, the Jaccard index is 3.83% = 20 / (344 + 178).
References
This article shows the relationship between Requiem (Mozart) and Sonata form. To access each article from which the information was extracted, please visit:
