26 relations: Acoustic scale, Aeolian dominant scale, Aeolian mode, Altered scale, C (musical note), D major, D minor, Diatonic scale, Dorian ♭2 scale, Dorian mode, Equal temperament, Half diminished scale, Helmholtz pitch notation, Hertz, Ionian mode, Jazz minor scale, Locrian mode, Lydian augmented scale, Lydian mode, Major second, Mixolydian mode, Phrygian mode, Piano key frequencies, Pitch (music), Root (chord), Scientific pitch notation.
In music, the acoustic scale, overtone scale, Lydian dominant scale, or Lydian 7 scale, is a seven-note synthetic scale.
The Aeolian dominant scale (also known as the Hindu scale, the Mixolydian 6, Aeolian major, and melodic major) is the fifth mode of the melodic minor scale.
The Aeolian mode is a musical mode or, in modern usage, a diatonic scale called the natural minor scale.
In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered.
C (Do, Do, C) is the first note of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (F, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz.
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, sharp, G, A, B, and sharp.
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, flat, and C. Its key signature has one flat.
In western music theory, a diatonic scale is a heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale.
The Dorian 2 scale, also known as Phrygian 6 is the second mode of the jazz minor scale (or the ascending melodic minor scale).
Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it), one of the medieval musical modes, or, most commonly, one of the modern modal diatonic scales, corresponding to the white notes from D to D, or any transposition of this.
An equal temperament is a musical temperament, or a system of tuning, in which the frequency interval between every pair of adjacent notes has the same ratio.
The half diminished scale is a seven-note musical scale.
Helmholtz pitch notation is a system for naming musical notes of the Western chromatic scale.
The hertz (symbol: Hz) is the derived unit of frequency in the International System of Units (SI) and is defined as one cycle per second.
Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.
The jazz minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used.
The Locrian mode is either a musical mode or simply a diatonic scale.
In music, the Lydian augmented scale (Lydian 5 scale) is the third mode of the ascending melodic minor scale or jazz minor scale.
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone.
In Western music theory, a major second (sometimes also called whole tone) is a second spanning two semitones.
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; a modern musical mode or diatonic scale, related to the medieval mode.
The Phrygian mode (pronounced) can refer to three different musical modes: the ancient Greek tonos or harmonia sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A4), tuned to 440 Hz (referred to as A440).
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies.
In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes.
Scientific pitch notation (or SPN, also known as American Standard Pitch Notation (ASPN) and International Pitch Notation (IPN)) is a method of specifying musical pitch by combining a musical note name (with accidental if needed) and a number identifying the pitch's octave.