Faster access than browser!Similarities between Anton Webern and Atonality
Anton Webern and Atonality have 21 things in common (in Unionpedia): Alban Berg, Alexander Scriabin, Arnold Schoenberg, Béla Bartók, Bolsheviks, Claude Debussy, Degenerate art, Emancipation of the dissonance, Franz Liszt, Harmony, Igor Stravinsky, Klangfarbenmelodie, Lyric Suite (Berg), Milton Babbitt, Olivier Messiaen, Pierrot Lunaire, Second Viennese School, Serialism, Twelve-tone technique, World War I, World War II.
Alban Berg
Alban Maria Johannes Berg (February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School.
Alban Berg and Anton Webern · Alban Berg and Atonality ·
Alexander Scriabin
Alexander Nikolayevich Scriabin (Алекса́ндр Никола́евич Скря́бин; –) was a Russian composer and pianist.
Alexander Scriabin and Anton Webern · Alexander Scriabin and Atonality ·
Arnold Schoenberg
Arnold Franz Walter Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter.
Anton Webern and Arnold Schoenberg · Arnold Schoenberg and Atonality ·
Béla Bartók
Béla Viktor János Bartók (25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and an ethnomusicologist.
Anton Webern and Béla Bartók · Atonality and Béla Bartók ·
Bolsheviks
The Bolsheviks, originally also Bolshevists or Bolsheviki (p; derived from bol'shinstvo (большинство), "majority", literally meaning "one of the majority"), were a faction of the Marxist Russian Social Democratic Labour Party (RSDLP) which split apart from the Menshevik faction at the Second Party Congress in 1903.
Anton Webern and Bolsheviks · Atonality and Bolsheviks ·
Claude Debussy
Achille-Claude Debussy (22 August 1862 – 25 March 1918) was a French composer.
Anton Webern and Claude Debussy · Atonality and Claude Debussy ·
Degenerate art
Degenerate art (Entartete Kunst) was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art.
Anton Webern and Degenerate art · Atonality and Degenerate art ·
Emancipation of the dissonance
The emancipation of the dissonance was a concept or goal put forth by composer Arnold Schoenberg and others, including his pupil Anton Webern.
Anton Webern and Emancipation of the dissonance · Atonality and Emancipation of the dissonance ·
Franz Liszt
Franz Liszt (Liszt Ferencz, in modern usage Liszt Ferenc;Liszt's Hungarian passport spelt his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a Ritter (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt. 22 October 181131 July 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary during the Romantic era.
Anton Webern and Franz Liszt · Atonality and Franz Liszt ·
Harmony
In music, harmony considers the process by which the composition of individual sounds, or superpositions of sounds, is analysed by hearing.
Anton Webern and Harmony · Atonality and Harmony ·
Igor Stravinsky
Igor Fyodorovich Stravinsky (ˈiɡərʲ ˈfʲɵdərəvʲɪtɕ strɐˈvʲinskʲɪj; 6 April 1971) was a Russian-born composer, pianist, and conductor.
Anton Webern and Igor Stravinsky · Atonality and Igor Stravinsky ·
Klangfarbenmelodie
Klangfarbenmelodie (German for sound-color melody) is a musical technique that involves splitting a musical line or melody between several instruments, rather than assigning it to just one instrument (or set of instruments), thereby adding color (timbre) and texture to the melodic line.
Anton Webern and Klangfarbenmelodie · Atonality and Klangfarbenmelodie ·
Lyric Suite (Berg)
The Lyric Suite is a six-movement work for string quartet written by Alban Berg between 1925 and 1926 using methods derived from Arnold Schoenberg's twelve-tone technique.
Anton Webern and Lyric Suite (Berg) · Atonality and Lyric Suite (Berg) ·
Milton Babbitt
Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, and teacher.
Anton Webern and Milton Babbitt · Atonality and Milton Babbitt ·
Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (December 10, 1908 – April 27, 1992) was a French composer, organist, and ornithologist, one of the major composers of the 20th century.
Anton Webern and Olivier Messiaen · Atonality and Olivier Messiaen ·
Pierrot Lunaire
Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire" ("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire), commonly known simply as Pierrot Lunaire, Op.
Anton Webern and Pierrot Lunaire · Atonality and Pierrot Lunaire ·
Second Viennese School
The Second Viennese School (Zweite Wiener Schule, Neue Wiener Schule) is the group of composers that comprised Arnold Schoenberg and his pupils and close associates in early 20th century Vienna, where he lived and taught, sporadically, between 1903 and 1925.
Anton Webern and Second Viennese School · Atonality and Second Viennese School ·
Serialism
In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements.
Anton Webern and Serialism · Atonality and Serialism ·
Twelve-tone technique
Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence.
Anton Webern and Twelve-tone technique · Atonality and Twelve-tone technique ·
World War I
World War I (often abbreviated as WWI or WW1), also known as the First World War, the Great War, or the War to End All Wars, was a global war originating in Europe that lasted from 28 July 1914 to 11 November 1918.
Anton Webern and World War I · Atonality and World War I ·
World War II
World War II (often abbreviated to WWII or WW2), also known as the Second World War, was a global war that lasted from 1939 to 1945, although conflicts reflecting the ideological clash between what would become the Allied and Axis blocs began earlier.
Anton Webern and World War II · Atonality and World War II ·
The list above answers the following questions
- What Anton Webern and Atonality have in common
- What are the similarities between Anton Webern and Atonality
Anton Webern and Atonality Comparison
Anton Webern has 230 relations, while Atonality has 70. As they have in common 21, the Jaccard index is 7.00% = 21 / (230 + 70).
References
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