Faster access than browser!Similarities between Arnold Schoenberg and Combinatoriality
Arnold Schoenberg and Combinatoriality have 12 things in common (in Unionpedia): Chromatic scale, Combinatoriality, Derived row, Hexachord, Inversion (music), Milton Babbitt, René Leibowitz, Second Viennese School, Serialism, Set (music), Tone row, Twelve-tone technique.
Chromatic scale
The chromatic scale is a musical scale with twelve pitches, each a semitone above or below its adjacent pitches.
Arnold Schoenberg and Chromatic scale · Chromatic scale and Combinatoriality ·
Combinatoriality
In music using the twelve tone technique, combinatoriality is a quality shared by twelve-tone tone rows whereby each section of a row and a proportionate number of its transformations combine to form aggregates (all twelve tones).
Arnold Schoenberg and Combinatoriality · Combinatoriality and Combinatoriality ·
Derived row
The term "partition" is also French for the sheet music of a transcription. In music using the twelve-tone technique, derivation is the construction of a row through segments.
Arnold Schoenberg and Derived row · Combinatoriality and Derived row ·
Hexachord
In music, a hexachord (also hexachordon) is a six-note series, as exhibited in a scale or tone row.
Arnold Schoenberg and Hexachord · Combinatoriality and Hexachord ·
Inversion (music)
There are inverted chords, inverted melodies, inverted intervals, and (in counterpoint) inverted voices.
Arnold Schoenberg and Inversion (music) · Combinatoriality and Inversion (music) ·
Milton Babbitt
Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, and teacher.
Arnold Schoenberg and Milton Babbitt · Combinatoriality and Milton Babbitt ·
René Leibowitz
René Leibowitz (17 February 1913 – 29 August 1972) was a Polish, later naturalised French, composer, conductor, music theorist and teacher.
Arnold Schoenberg and René Leibowitz · Combinatoriality and René Leibowitz ·
Second Viennese School
The Second Viennese School (Zweite Wiener Schule, Neue Wiener Schule) is the group of composers that comprised Arnold Schoenberg and his pupils and close associates in early 20th century Vienna, where he lived and taught, sporadically, between 1903 and 1925.
Arnold Schoenberg and Second Viennese School · Combinatoriality and Second Viennese School ·
Serialism
In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements.
Arnold Schoenberg and Serialism · Combinatoriality and Serialism ·
Set (music)
A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects.
Arnold Schoenberg and Set (music) · Combinatoriality and Set (music) ·
Tone row
In music, a tone row or note row (Reihe or Tonreihe), also series or set,George Perle, Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern, fourth Edition (Berkeley, Los Angeles, and London: University of California Press, 1977): 3.
Arnold Schoenberg and Tone row · Combinatoriality and Tone row ·
Twelve-tone technique
Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence.
Arnold Schoenberg and Twelve-tone technique · Combinatoriality and Twelve-tone technique ·
The list above answers the following questions
- What Arnold Schoenberg and Combinatoriality have in common
- What are the similarities between Arnold Schoenberg and Combinatoriality
Arnold Schoenberg and Combinatoriality Comparison
Arnold Schoenberg has 223 relations, while Combinatoriality has 28. As they have in common 12, the Jaccard index is 4.78% = 12 / (223 + 28).
References
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