Similarities between Arnold Schoenberg and Neoclassicism (music)
Arnold Schoenberg and Neoclassicism (music) have 18 things in common (in Unionpedia): Alban Berg, Anton Webern, Béla Bartók, Charles Rosen, Counterpoint, Ernst Krenek, Ferruccio Busoni, Igor Stravinsky, Johann Sebastian Bach, Maurice Ravel, Max Reger, Motif (music), Program music, Richard Strauss, Roberto Gerhard, The New Grove Dictionary of Music and Musicians, Twelve-tone technique, Verklärte Nacht.
Alban Berg
Alban Maria Johannes Berg (9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School.
Alban Berg and Arnold Schoenberg · Alban Berg and Neoclassicism (music) ·
Anton Webern
Anton Webern (3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist.
Anton Webern and Arnold Schoenberg · Anton Webern and Neoclassicism (music) ·
Béla Bartók
Béla Viktor János Bartók (25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and ethnomusicologist.
Arnold Schoenberg and Béla Bartók · Béla Bartók and Neoclassicism (music) ·
Charles Rosen
Charles Welles Rosen (May 5, 1927December 9, 2012) was an American pianist and writer on music.
Arnold Schoenberg and Charles Rosen · Charles Rosen and Neoclassicism (music) ·
Counterpoint
In music, counterpoint is a method of composition in which two or more musical lines (or voices) are simultaneously played which are harmonically correlated yet independent in rhythm and melodic contour.
Arnold Schoenberg and Counterpoint · Counterpoint and Neoclassicism (music) ·
Ernst Krenek
Ernst Heinrich Krenek (23 August 1900 – 22 December 1991) was an Austrian, later American, composer.
Arnold Schoenberg and Ernst Krenek · Ernst Krenek and Neoclassicism (music) ·
Ferruccio Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher.
Arnold Schoenberg and Ferruccio Busoni · Ferruccio Busoni and Neoclassicism (music) ·
Igor Stravinsky
Igor Fyodorovich Stravinsky (– 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945).
Arnold Schoenberg and Igor Stravinsky · Igor Stravinsky and Neoclassicism (music) ·
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period.
Arnold Schoenberg and Johann Sebastian Bach · Johann Sebastian Bach and Neoclassicism (music) ·
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor.
Arnold Schoenberg and Maurice Ravel · Maurice Ravel and Neoclassicism (music) ·
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher.
Arnold Schoenberg and Max Reger · Max Reger and Neoclassicism (music) ·
Motif (music)
In music, a motif IPA: (/moʊˈtiːf/) or motive is a short musical idea, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition.
Arnold Schoenberg and Motif (music) · Motif (music) and Neoclassicism (music) ·
Program music
Program music or programmatic music is a type of instrumental art music that attempts to musically render an extramusical narrative.
Arnold Schoenberg and Program music · Neoclassicism (music) and Program music ·
Richard Strauss
Richard Georg Strauss (11 June 1864 – 8 September 1949) was a German composer and conductor best known for his tone poems and operas.
Arnold Schoenberg and Richard Strauss · Neoclassicism (music) and Richard Strauss ·
Roberto Gerhard
Robert Gerhard i Ottenwaelder (25 September 1896 – 5 January 1970) was a Spanish and British composer, musical scholar, and writer, generally known outside his native region of Catalonia as Roberto Gerhard.
Arnold Schoenberg and Roberto Gerhard · Neoclassicism (music) and Roberto Gerhard ·
The New Grove Dictionary of Music and Musicians
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians.
Arnold Schoenberg and The New Grove Dictionary of Music and Musicians · Neoclassicism (music) and The New Grove Dictionary of Music and Musicians ·
Twelve-tone technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919.
Arnold Schoenberg and Twelve-tone technique · Neoclassicism (music) and Twelve-tone technique ·
Verklärte Nacht
Verklärte Nacht (Transfigured Night), Op. 4, is a string sextet in one movement composed by Arnold Schoenberg in 1899.
Arnold Schoenberg and Verklärte Nacht · Neoclassicism (music) and Verklärte Nacht ·
The list above answers the following questions
- What Arnold Schoenberg and Neoclassicism (music) have in common
- What are the similarities between Arnold Schoenberg and Neoclassicism (music)
Arnold Schoenberg and Neoclassicism (music) Comparison
Arnold Schoenberg has 299 relations, while Neoclassicism (music) has 142. As they have in common 18, the Jaccard index is 4.08% = 18 / (299 + 142).
References
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