Similarities between Arnold Schoenberg and Variations for Orchestra (Schoenberg)
Arnold Schoenberg and Variations for Orchestra (Schoenberg) have 4 things in common (in Unionpedia): Atonality, Inversion (music), Tone row, Twelve-tone technique.
Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key.
Arnold Schoenberg and Atonality · Atonality and Variations for Orchestra (Schoenberg) ·
Inversion (music)
There are inverted chords, inverted melodies, inverted intervals, and (in counterpoint) inverted voices.
Arnold Schoenberg and Inversion (music) · Inversion (music) and Variations for Orchestra (Schoenberg) ·
Tone row
In music, a tone row or note row (Reihe or Tonreihe), also series or set,George Perle, Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern, fourth Edition (Berkeley, Los Angeles, and London: University of California Press, 1977): 3.
Arnold Schoenberg and Tone row · Tone row and Variations for Orchestra (Schoenberg) ·
Twelve-tone technique
Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence.
Arnold Schoenberg and Twelve-tone technique · Twelve-tone technique and Variations for Orchestra (Schoenberg) ·
The list above answers the following questions
- What Arnold Schoenberg and Variations for Orchestra (Schoenberg) have in common
- What are the similarities between Arnold Schoenberg and Variations for Orchestra (Schoenberg)
Arnold Schoenberg and Variations for Orchestra (Schoenberg) Comparison
Arnold Schoenberg has 223 relations, while Variations for Orchestra (Schoenberg) has 23. As they have in common 4, the Jaccard index is 1.63% = 4 / (223 + 23).
References
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