Similarities between Backdoor progression and Secondary chord
Backdoor progression and Secondary chord have 11 things in common (in Unionpedia): Borrowed chord, Cadence (music), Dominant seventh chord, Ii–V–I progression, Jazz, Leading-tone, Mediant, Modulation (music), Seventh (chord), Subtonic, Tonic (music).
Borrowed chord
A borrowed chord (also called mode mixture,Romeo, Sheila (1999). Complete Rock Keyboard Method: Mastering Rock Keyboard, p.42.. Bouchard, Joe and Romeo, Sheila (2007). The Total Rock Keyboardist, p.120. Alfred Music.. modal mixture, substitutedWhite (1911), p.42. modal interchange) is a chord borrowed from the parallel key (minor or major scale with the same tonic).
Backdoor progression and Borrowed chord · Borrowed chord and Secondary chord ·
Cadence (music)
In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).
Backdoor progression and Cadence (music) · Cadence (music) and Secondary chord ·
Dominant seventh chord
In music theory, a dominant seventh chord, or major minor seventh chord, is a chord composed of a root, major third, perfect fifth, and minor seventh.
Backdoor progression and Dominant seventh chord · Dominant seventh chord and Secondary chord ·
Ii–V–I progression
The ⅱ–Ⅴ–I progression (occasionally referred to as ⅱ–Ⅴ–I turnaround, and ⅱ–Ⅴ–I) is a common cadential chord progression used in a wide variety of music genres, including jazz harmony.
Backdoor progression and Ii–V–I progression · Ii–V–I progression and Secondary chord ·
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime.
Backdoor progression and Jazz · Jazz and Secondary chord ·
Leading-tone
In music theory, a leading-note (also subsemitone, and called the leading-tone in the US) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively.
Backdoor progression and Leading-tone · Leading-tone and Secondary chord ·
Mediant
In music, the mediant (Latin: to be in the middle) is the third scale degree of a diatonic scale, being the note halfway between the tonic and the dominant.
Backdoor progression and Mediant · Mediant and Secondary chord ·
Modulation (music)
In music, modulation is most commonly the act or process of changing from one key (tonic, or tonal center) to another.
Backdoor progression and Modulation (music) · Modulation (music) and Secondary chord ·
Seventh (chord)
In music, the seventh factor of a chord is the note or pitch seven scale degrees above the root or tonal center.
Backdoor progression and Seventh (chord) · Secondary chord and Seventh (chord) ·
Subtonic
In music, the subtonic is the scale degree below the tonic or, more specifically, the flattened seventh (VII): the lowered or minor seventh degree of the scale, a whole step below the tonic, as opposed to the leading tone, which is only a half step below the tonic.
Backdoor progression and Subtonic · Secondary chord and Subtonic ·
Tonic (music)
In music, the tonic is the first scale degree of a diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music and traditional music.
Backdoor progression and Tonic (music) · Secondary chord and Tonic (music) ·
The list above answers the following questions
- What Backdoor progression and Secondary chord have in common
- What are the similarities between Backdoor progression and Secondary chord
Backdoor progression and Secondary chord Comparison
Backdoor progression has 28 relations, while Secondary chord has 75. As they have in common 11, the Jaccard index is 10.68% = 11 / (28 + 75).
References
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