Faster access than browser!Similarities between Baroque music and Opera
Baroque music and Opera have 44 things in common (in Unionpedia): Alessandro Scarlatti, Antonio Vivaldi, Aria, Classical music, Classical period (music), Claudio Monteverdi, Conducting, Dafne, Drama, Euridice (Peri), Figured bass, Florentine Camerata, Folk music, Francesco Cavalli, French overture, Fugue, Georg Philipp Telemann, George Frideric Handel, Gigue, Giovanni Battista Pergolesi, Harp, Harpsichord, Heinrich Schütz, Henry Purcell, Homophony, Jacopo Peri, Jean-Baptiste Lully, Jean-Philippe Rameau, L'incoronazione di Poppea, L'Orfeo, ..., Louis XIV of France, Lute, Masque, Minuet, Movement (music), Opéra comique, Opéra-ballet, Opera seria, Recitative, Renaissance, Ritornello, Toccata, Tonality, Zarzuela. Expand index (14 more) »
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas.
Alessandro Scarlatti and Baroque music · Alessandro Scarlatti and Opera ·
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher and cleric.
Antonio Vivaldi and Baroque music · Antonio Vivaldi and Opera ·
Aria
An aria (air; plural: arie, or arias in common usage, diminutive form arietta or ariette) in music was originally any expressive melody, usually, but not always, performed by a singer.
Aria and Baroque music · Aria and Opera ·
Classical music
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music.
Baroque music and Classical music · Classical music and Opera ·
Classical period (music)
The Classical period was an era of classical music between roughly 1730 to 1820, associated with the style of Haydn, Mozart and Beethoven.
Baroque music and Classical period (music) · Classical period (music) and Opera ·
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, string player and choirmaster.
Baroque music and Claudio Monteverdi · Claudio Monteverdi and Opera ·
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert.
Baroque music and Conducting · Conducting and Opera ·
Dafne
Dafne is the earliest known work that, by modern standards, could be considered an opera.
Baroque music and Dafne · Dafne and Opera ·
Drama
Drama is the specific mode of fiction represented in performance: a play performed in a theatre, or on radio or television.
Baroque music and Drama · Drama and Opera ·
Euridice (Peri)
Euridice (also Erudice or Eurydice) is an opera by Jacopo Peri, with additional music by Giulio Caccini.
Baroque music and Euridice (Peri) · Euridice (Peri) and Opera ·
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, lute (or other instruments capable of playing chords) play in relation to the bass note that these numbers and symbols appear above or below.
Baroque music and Figured bass · Figured bass and Opera ·
Florentine Camerata
The Florentine Camerata, also known as the Camerata de' Bardi, were a group of humanists, musicians, poets and intellectuals in late Renaissance Florence who gathered under the patronage of Count Giovanni de' Bardi to discuss and guide trends in the arts, especially music and drama.
Baroque music and Florentine Camerata · Florentine Camerata and Opera ·
Folk music
Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival.
Baroque music and Folk music · Folk music and Opera ·
Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni 14 February 1602 – 14 January 1676) was an Italian composer of the early Baroque period.
Baroque music and Francesco Cavalli · Francesco Cavalli and Opera ·
French overture
The French overture is a musical form widely used in the Baroque period.
Baroque music and French overture · French overture and Opera ·
Fugue
In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.
Baroque music and Fugue · Fugue and Opera ·
Georg Philipp Telemann
Georg Philipp Telemann (– 25 June 1767) was a German Baroque composer and multi-instrumentalist.
Baroque music and Georg Philipp Telemann · Georg Philipp Telemann and Opera ·
George Frideric Handel
George Frideric (or Frederick) Handel (born italic; 23 February 1685 (O.S.) – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well-known for his operas, oratorios, anthems, and organ concertos.
Baroque music and George Frideric Handel · George Frideric Handel and Opera ·
Gigue
The gigue or giga is a lively baroque dance originating from the Ireland jig.
Baroque music and Gigue · Gigue and Opera ·
Giovanni Battista Pergolesi
Giovanni Battista Draghi (4 January 1710 – 16 or 17 March 1736), often referred to as Giovanni Battista Pergolesi, was an Italian composer, violinist and organist.
Baroque music and Giovanni Battista Pergolesi · Giovanni Battista Pergolesi and Opera ·
Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers.
Baroque music and Harp · Harp and Opera ·
Harpsichord
A harpsichord is a musical instrument played by means of a keyboard which activates a row of levers that in turn trigger a mechanism that plucks one or more strings with a small plectrum.
Baroque music and Harpsichord · Harpsichord and Opera ·
Heinrich Schütz
Heinrich Schütz (– 6 November 1672) was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and often considered to be one of the most important composers of the 17th century.
Baroque music and Heinrich Schütz · Heinrich Schütz and Opera ·
Henry Purcell
Henry Purcell (or; c. 10 September 1659According to Holman and Thompson (Grove Music Online, see References) there is uncertainty regarding the year and day of birth. No record of baptism has been found. The year 1659 is based on Purcell's memorial tablet in Westminster Abbey and the frontispiece of his Sonnata's of III. Parts (London, 1683). The day 10 September is based on vague inscriptions in the manuscript GB-Cfm 88. It may also be relevant that he was appointed to his first salaried post on 10 September 1677, which would have been his eighteenth birthday. – 21 November 1695) was an English composer.
Baroque music and Henry Purcell · Henry Purcell and Opera ·
Homophony
In music, homophony (Greek: ὁμόφωνος, homóphōnos, from ὁμός, homós, "same" and φωνή, phōnē, "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony and often provide rhythmic contrast.
Baroque music and Homophony · Homophony and Opera ·
Jacopo Peri
Jacopo Peri (Zazzerino) (20 August 156112 August 1633) was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera.
Baroque music and Jacopo Peri · Jacopo Peri and Opera ·
Jean-Baptiste Lully
Jean-Baptiste Lully (born Giovanni Battista Lulli,; 28 November 1632 – 22 March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France.
Baroque music and Jean-Baptiste Lully · Jean-Baptiste Lully and Opera ·
Jean-Philippe Rameau
Jean-Philippe Rameau (–) was one of the most important French composers and music theorists of the 18th century.
Baroque music and Jean-Philippe Rameau · Jean-Philippe Rameau and Opera ·
L'incoronazione di Poppea
L'incoronazione di Poppea (SV 308, The Coronation of Poppaea) is an Italian opera by Claudio Monteverdi, with a libretto by Giovanni Francesco Busenello, first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season.
Baroque music and L'incoronazione di Poppea · L'incoronazione di Poppea and Opera ·
L'Orfeo
L'Orfeo (SV 318), sometimes called La favola d'Orfeo, is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio.
Baroque music and L'Orfeo · L'Orfeo and Opera ·
Louis XIV of France
Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), known as Louis the Great (Louis le Grand) or the Sun King (Roi Soleil), was a monarch of the House of Bourbon who reigned as King of France from 1643 until his death in 1715.
Baroque music and Louis XIV of France · Louis XIV of France and Opera ·
Lute
A lute is any plucked string instrument with a neck (either fretted or unfretted) and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body.
Baroque music and Lute · Lute and Opera ·
Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant).
Baroque music and Masque · Masque and Opera ·
Minuet
A minuet (also spelled menuet) is a social dance of French origin for two people, usually in 4 time.
Baroque music and Minuet · Minuet and Opera ·
Movement (music)
A movement is a self-contained part of a musical composition or musical form.
Baroque music and Movement (music) · Movement (music) and Opera ·
Opéra comique
Opéra comique (plural: opéras comiques) is a genre of French opera that contains spoken dialogue and arias.
Baroque music and Opéra comique · Opéra comique and Opera ·
Opéra-ballet
Opéra-ballet (French; plural: opéras-ballets) is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the ballets à entrées of the early seventeenth century".
Baroque music and Opéra-ballet · Opéra-ballet and Opera ·
Opera seria
Opera seria (plural: opere serie; usually called dramma per musica or melodramma serio) is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770.
Baroque music and Opera seria · Opera and Opera seria ·
Recitative
Recitative (also known by its Italian name "recitativo") is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms of ordinary speech.
Baroque music and Recitative · Opera and Recitative ·
Renaissance
The Renaissance is a period in European history, covering the span between the 14th and 17th centuries.
Baroque music and Renaissance · Opera and Renaissance ·
Ritornello
A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus.
Baroque music and Ritornello · Opera and Ritornello ·
Toccata
Toccata (from Italian toccare, literally, "to touch") is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers.
Baroque music and Toccata · Opera and Toccata ·
Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality.
Baroque music and Tonality · Opera and Tonality ·
Zarzuela
Zarzuela is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance.
The list above answers the following questions
- What Baroque music and Opera have in common
- What are the similarities between Baroque music and Opera
Baroque music and Opera Comparison
Baroque music has 199 relations, while Opera has 608. As they have in common 44, the Jaccard index is 5.45% = 44 / (199 + 608).
References
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