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Canzona and Dieterich Buxtehude

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Canzona and Dieterich Buxtehude

Canzona vs. Dieterich Buxtehude

The canzona (It. plural canzone) is an instrumental musical form of the 16th and 17th centuries that developed from the Netherlandish chanson. Dieterich Buxtehude (Diderich,; c. 1637/39 – 9 May 1707) was a Danish-German organist and composer of the Baroque period.

Similarities between Canzona and Dieterich Buxtehude

Canzona and Dieterich Buxtehude have 3 things in common (in Unionpedia): Fugue, Girolamo Frescobaldi, Ricercar.

Fugue

In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.

Canzona and Fugue · Dieterich Buxtehude and Fugue · See more »

Girolamo Frescobaldi

Girolamo Alessandro Frescobaldi (also Gerolamo, Girolimo, and Geronimo Alissandro; September, 15831 March 1643) was a musician from Ferrara, one of the most important composers of keyboard music in the late Renaissance and early Baroque periods.

Canzona and Girolamo Frescobaldi · Dieterich Buxtehude and Girolamo Frescobaldi · See more »

Ricercar

A ricercar (also spelled ricercare, recercar, recercare) is a type of late Renaissance and mostly early Baroque instrumental composition.

Canzona and Ricercar · Dieterich Buxtehude and Ricercar · See more »

The list above answers the following questions

Canzona and Dieterich Buxtehude Comparison

Canzona has 12 relations, while Dieterich Buxtehude has 117. As they have in common 3, the Jaccard index is 2.33% = 3 / (12 + 117).

References

This article shows the relationship between Canzona and Dieterich Buxtehude. To access each article from which the information was extracted, please visit:

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