Cell (music) and Twelve-tone technique

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Cell (music) and Twelve-tone technique

Cell (music) vs. Twelve-tone technique

The 1957 Encyclopédie Laroussequoted in Nattiez, Jean-Jacques (1990). Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence.

Similarities between Cell (music) and Twelve-tone technique

Cell (music) and Twelve-tone technique have 1 thing in common (in Unionpedia): Ostinato.

Ostinato

In music, an ostinato (derived from Italian: stubborn, compare English, from Latin: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, frequently at the same pitch.

Cell (music) and Ostinato · Ostinato and Twelve-tone technique · See more »

The list above answers the following questions

What Cell (music) and Twelve-tone technique have in common
What are the similarities between Cell (music) and Twelve-tone technique

Cell (music) and Twelve-tone technique Comparison

Cell (music) has 15 relations, while Twelve-tone technique has 83. As they have in common 1, the Jaccard index is 1.02% = 1 / (15 + 83).

References

This article shows the relationship between Cell (music) and Twelve-tone technique. To access each article from which the information was extracted, please visit:

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