Faster access than browser!Similarities between Counter-Reformation and History of music
Counter-Reformation and History of music have 16 things in common (in Unionpedia): Baroque, Belgium, Catholic Church, Chanson, Council of Trent, France, Germany, Giovanni Pierluigi da Palestrina, Ireland, Italy, Lauda (song), Madrigal, Motet, Polyphony, Renaissance, Venice.
Baroque
The Baroque is a highly ornate and often extravagant style of architecture, art and music that flourished in Europe from the early 17th until the late 18th century.
Baroque and Counter-Reformation · Baroque and History of music ·
Belgium
Belgium, officially the Kingdom of Belgium, is a country in Western Europe bordered by France, the Netherlands, Germany and Luxembourg.
Belgium and Counter-Reformation · Belgium and History of music ·
Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with more than 1.299 billion members worldwide.
Catholic Church and Counter-Reformation · Catholic Church and History of music ·
Chanson
A chanson ("song", from Latin cantio, gen. cantionis) is in general any lyric-driven French song, usually polyphonic and secular.
Chanson and Counter-Reformation · Chanson and History of music ·
Council of Trent
The Council of Trent (Concilium Tridentinum), held between 1545 and 1563 in Trent (or Trento, in northern Italy), was an ecumenical council of the Catholic Church.
Council of Trent and Counter-Reformation · Council of Trent and History of music ·
France
France, officially the French Republic (République française), is a sovereign state whose territory consists of metropolitan France in Western Europe, as well as several overseas regions and territories.
Counter-Reformation and France · France and History of music ·
Germany
Germany (Deutschland), officially the Federal Republic of Germany (Bundesrepublik Deutschland), is a sovereign state in central-western Europe.
Counter-Reformation and Germany · Germany and History of music ·
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina (1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.
Counter-Reformation and Giovanni Pierluigi da Palestrina · Giovanni Pierluigi da Palestrina and History of music ·
Ireland
Ireland (Éire; Ulster-Scots: Airlann) is an island in the North Atlantic.
Counter-Reformation and Ireland · History of music and Ireland ·
Italy
Italy (Italia), officially the Italian Republic (Repubblica Italiana), is a sovereign state in Europe.
Counter-Reformation and Italy · History of music and Italy ·
Lauda (song)
The lauda (Italian pl. laude) or lauda spirituale was the most important form of vernacular sacred song in Italy in the late medieval era and Renaissance.
Counter-Reformation and Lauda (song) · History of music and Lauda (song) ·
Madrigal
A madrigal is a secular vocal music composition of the Renaissance and early Baroque eras.
Counter-Reformation and Madrigal · History of music and Madrigal ·
Motet
In western music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the late medieval era to the present.
Counter-Reformation and Motet · History of music and Motet ·
Polyphony
In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work.
Counter-Reformation and Polyphony · History of music and Polyphony ·
Renaissance
The Renaissance is a period in European history, covering the span between the 14th and 17th centuries.
Counter-Reformation and Renaissance · History of music and Renaissance ·
Venice
Venice (Venezia,; Venesia) is a city in northeastern Italy and the capital of the Veneto region.
Counter-Reformation and Venice · History of music and Venice ·
The list above answers the following questions
- What Counter-Reformation and History of music have in common
- What are the similarities between Counter-Reformation and History of music
Counter-Reformation and History of music Comparison
Counter-Reformation has 261 relations, while History of music has 309. As they have in common 16, the Jaccard index is 2.81% = 16 / (261 + 309).
References
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