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Dieterich Buxtehude and Pedal point

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Dieterich Buxtehude and Pedal point

Dieterich Buxtehude vs. Pedal point

Dieterich Buxtehude (Diderich,; c. 1637/39 – 9 May 1707) was a Danish-German organist and composer of the Baroque period. In music, a pedal point (also pedal tone, pedal note, organ point, or pedal) is a sustained tone, typically in the bass, during which at least one foreign, i.e., dissonant harmony is sounded in the other parts.

Similarities between Dieterich Buxtehude and Pedal point

Dieterich Buxtehude and Pedal point have 3 things in common (in Unionpedia): Fugue, Harpsichord, Ostinato.

Fugue

In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.

Dieterich Buxtehude and Fugue · Fugue and Pedal point · See more »

Harpsichord

A harpsichord is a musical instrument played by means of a keyboard which activates a row of levers that in turn trigger a mechanism that plucks one or more strings with a small plectrum.

Dieterich Buxtehude and Harpsichord · Harpsichord and Pedal point · See more »

Ostinato

In music, an ostinato (derived from Italian: stubborn, compare English, from Latin: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, frequently at the same pitch.

Dieterich Buxtehude and Ostinato · Ostinato and Pedal point · See more »

The list above answers the following questions

Dieterich Buxtehude and Pedal point Comparison

Dieterich Buxtehude has 117 relations, while Pedal point has 90. As they have in common 3, the Jaccard index is 1.45% = 3 / (117 + 90).

References

This article shows the relationship between Dieterich Buxtehude and Pedal point. To access each article from which the information was extracted, please visit:

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