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Syncopation

Index Syncopation

In music, syncopation involves a variety of rhythms which are in some way unexpected which make part or all of a tune or piece of music off-beat. [1]

40 relations: Anacrusis, Antiphon, Bass note, Beat (music), Brandenburg Concertos, Christopher Hogwood, Coda (music), Counting (music), Eighth note, Epenthesis, Epilogue, Franz Schubert, Fugue, George Frideric Handel, Giovanni Gabrieli, Harmony, Hemiola, Hocket, Igor Stravinsky, Johann Sebastian Bach, Joseph Haydn, Ludwig van Beethoven, Madrigal (Trecento), Music of Cuba, Music of the Trecento, Popular music, Richard Middleton (musicologist), Ritornello, Son montuno, Symphony No. 3 (Beethoven), Syncopation (dance), Syncope (phonology), Transformation (music), Tresillo (rhythm), Trochee, Tumbao, Venetian School (music), Water Music, Wolfgang Amadeus Mozart, (I Can't Get No) Satisfaction.

Anacrusis

In poetic and musical meter, and by analogy in publishing, an anacrusis (plural anacruses) is a brief introduction (not to be confused with a literary or musical introduction, foreword, or with a preface).

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Antiphon

An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain.

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Bass note

In music theory, the bass note of a chord or sonority is the lowest note played or notated.

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Beat (music)

In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level (or beat level).

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Brandenburg Concertos

The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments)Johann Sebastian Bach's Werke, vol.

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Christopher Hogwood

Christopher Jarvis Haley Hogwood CBE (10 September 194124 September 2014) was an English conductor, harpsichordist, writer, and musicologist.

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Coda (music)

In music, a coda (Italian for "tail", plural code) is a passage that brings a piece (or a movement) to an end.

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Counting (music)

In music, counting is a system of regularly occurring sounds that serve to assist with the performance or audition of music by allowing the easy identification of the beat.

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Eighth note

'''Figure 1.''' An eighth note with stem facing up, an eighth note with stem facing down, and an eighth rest. '''Figure 2.''' Four eighth notes beamed together. An eighth note (American) or a quaver (British) is a musical note played for half the value of a quarter note (crotchet) and twice that of the sixteenth note (semiquaver), which amounts to one quarter the duration of a half note (minim), one eighth the duration of whole note (semibreve), one sixteenth the duration of a double whole note (breve), and one thirty-second the duration of a longa, hence the name.

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Epenthesis

In phonology, epenthesis (Greek) means the addition of one or more sounds to a word, especially to the interior of a word (at the beginning prothesis and at the end paragoge are commonly used).

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Epilogue

An epilogue or epilog (from Greek ἐπίλογος epílogos, "conclusion" from ἐπί epi, "in addition" and λόγος logos, "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work.

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Franz Schubert

Franz Peter Schubert (31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras.

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Fugue

In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.

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George Frideric Handel

George Frideric (or Frederick) Handel (born italic; 23 February 1685 (O.S.) – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well-known for his operas, oratorios, anthems, and organ concertos.

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Giovanni Gabrieli

Giovanni Gabrieli (c. 1554/1557 – 12 August 1612) was an Italian composer and organist.

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Harmony

In music, harmony considers the process by which the composition of individual sounds, or superpositions of sounds, is analysed by hearing.

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Hemiola

In music, hemiola (also hemiolia) is the ratio 3:2.

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Hocket

In music, hocket is the rhythmic linear technique using the alternation of notes, pitches, or chords.

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Igor Stravinsky

Igor Fyodorovich Stravinsky (ˈiɡərʲ ˈfʲɵdərəvʲɪtɕ strɐˈvʲinskʲɪj; 6 April 1971) was a Russian-born composer, pianist, and conductor.

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Johann Sebastian Bach

Johann Sebastian Bach (28 July 1750) was a composer and musician of the Baroque period, born in the Duchy of Saxe-Eisenach.

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Joseph Haydn

(Franz) Joseph HaydnSee Haydn's name.

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Ludwig van Beethoven

Ludwig van Beethoven (baptised 17 December 1770Beethoven was baptised on 17 December. His date of birth was often given as 16 December and his family and associates celebrated his birthday on that date, and most scholars accept that he was born on 16 December; however there is no documentary record of his birth.26 March 1827) was a German composer and pianist.

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Madrigal (Trecento)

The Trecento Madrigal is an Italian musical form of the 14th century.

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Music of Cuba

The music of Cuba, including its instruments, performance and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music.

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Music of the Trecento

The Trecento was a period of vigorous activity in Italy in the arts, including painting, architecture, literature, and music.

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Popular music

Popular music is music with wide appeal that is typically distributed to large audiences through the music industry.

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Richard Middleton (musicologist)

Richard Middleton FBA is Emeritus Professor of Music at Newcastle University in Newcastle upon Tyne.

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Ritornello

A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus.

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Son montuno

The son montuno is a subgenre of son cubano.

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Symphony No. 3 (Beethoven)

The Symphony No.

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Syncopation (dance)

The terms syncopation and syncopated step in dancing are used in two senses.

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Syncope (phonology)

In phonology, syncope (from συγκοπή||cutting up) is the loss of one or more sounds from the interior of a word, especially the loss of an unstressed vowel.

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Transformation (music)

In music, a transformation consists of any operation or process that may apply to a musical variable (usually a set or tone row in twelve tone music, or a melody or chord progression in tonal music), or rhythm in composition, performance, or analysis.

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Tresillo (rhythm)

Tresillo is a more basic form of the rhythmic figure known as the habanera.

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Trochee

In poetic metre, a trochee, choree, or choreus, is a metrical foot consisting of a stressed syllable followed by an unstressed one, in English, or a heavy syllable followed by a light one in Latin or Greek.

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Tumbao

In music of Afro-Cuban origin, tumbao is the basic rhythm played on the bass.

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Venetian School (music)

In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610.

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Water Music

The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel.

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Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.

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(I Can't Get No) Satisfaction

"(I Can't Get No) Satisfaction" is a song by the English rock band the Rolling Stones, released in 1965.

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Anticipated bass, Synchopation, Syncopate, Syncopated, Syncopated drumming, Syncopated rhythm, Syncopating, Syncopations.

References

[1] https://en.wikipedia.org/wiki/Syncopation

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