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Hans Memling and Royal Museum of Fine Arts Antwerp

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Hans Memling and Royal Museum of Fine Arts Antwerp

Hans Memling vs. Royal Museum of Fine Arts Antwerp

Hans Memling (also spelled Memlinc; c. 1430 – 11 August 1494) was a German painter who moved to Flanders and worked in the tradition of Early Netherlandish painting. The Royal Museum of Fine Arts Antwerp (Dutch: Koninklijk Museum voor Schone Kunsten Antwerpen) is a museum in Antwerp, Belgium, founded in 1810, houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries.

Similarities between Hans Memling and Royal Museum of Fine Arts Antwerp

Hans Memling and Royal Museum of Fine Arts Antwerp have 2 things in common (in Unionpedia): Early Netherlandish painting, Rogier van der Weyden.

Early Netherlandish painting

Early Netherlandish painting is the work of artists, sometimes known as the Flemish Primitives, active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance; especially in the flourishing cities of Bruges, Ghent, Mechelen, Louvain, Tournai and Brussels, all in contemporary Belgium.

Early Netherlandish painting and Hans Memling · Early Netherlandish painting and Royal Museum of Fine Arts Antwerp · See more »

Rogier van der Weyden

Rogier van der Weyden or Roger de la Pasture (1399 or 140018 June 1464) was an Early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits.

Hans Memling and Rogier van der Weyden · Rogier van der Weyden and Royal Museum of Fine Arts Antwerp · See more »

The list above answers the following questions

Hans Memling and Royal Museum of Fine Arts Antwerp Comparison

Hans Memling has 65 relations, while Royal Museum of Fine Arts Antwerp has 54. As they have in common 2, the Jaccard index is 1.68% = 2 / (65 + 54).

References

This article shows the relationship between Hans Memling and Royal Museum of Fine Arts Antwerp. To access each article from which the information was extracted, please visit:

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