Similarities between History of music and Johann Pachelbel
History of music and Johann Pachelbel have 26 things in common (in Unionpedia): Baroque, Baroque music, Canon (music), Choir, Clavichord, Counterpoint, Figured bass, Fugue, Georg Philipp Telemann, George Frideric Handel, Girolamo Frescobaldi, Gregorian mode, Harpsichord, Johann Sebastian Bach, Joseph Haydn, Lyre, Mass (music), Motet, Musicology, Organ (music), Ostinato, Pachelbel's Canon, Plainsong, Polyphony, Ricercar, Richard Wagner.
Baroque
The Baroque is a highly ornate and often extravagant style of architecture, art and music that flourished in Europe from the early 17th until the late 18th century.
Baroque and History of music · Baroque and Johann Pachelbel ·
Baroque music
Baroque music is a style of Western art music composed from approximately 1600 to 1750.
Baroque music and History of music · Baroque music and Johann Pachelbel ·
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or dux), while the imitative melody, which is played in a different voice, is called the follower (or comes).
Canon (music) and History of music · Canon (music) and Johann Pachelbel ·
Choir
A choir (also known as a quire, chorale or chorus) is a musical ensemble of singers.
Choir and History of music · Choir and Johann Pachelbel ·
Clavichord
The clavichord is a European stringed keyboard instrument that was used largely in the late Medieval, through the Renaissance, Baroque and Classical eras.
Clavichord and History of music · Clavichord and Johann Pachelbel ·
Counterpoint
In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour.
Counterpoint and History of music · Counterpoint and Johann Pachelbel ·
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, lute (or other instruments capable of playing chords) play in relation to the bass note that these numbers and symbols appear above or below.
Figured bass and History of music · Figured bass and Johann Pachelbel ·
Fugue
In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.
Fugue and History of music · Fugue and Johann Pachelbel ·
Georg Philipp Telemann
Georg Philipp Telemann (– 25 June 1767) was a German Baroque composer and multi-instrumentalist.
Georg Philipp Telemann and History of music · Georg Philipp Telemann and Johann Pachelbel ·
George Frideric Handel
George Frideric (or Frederick) Handel (born italic; 23 February 1685 (O.S.) – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well-known for his operas, oratorios, anthems, and organ concertos.
George Frideric Handel and History of music · George Frideric Handel and Johann Pachelbel ·
Girolamo Frescobaldi
Girolamo Alessandro Frescobaldi (also Gerolamo, Girolimo, and Geronimo Alissandro; September, 15831 March 1643) was a musician from Ferrara, one of the most important composers of keyboard music in the late Renaissance and early Baroque periods.
Girolamo Frescobaldi and History of music · Girolamo Frescobaldi and Johann Pachelbel ·
Gregorian mode
A Gregorian mode (or church mode) is one of the eight systems of pitch organization used in Gregorian chant.
Gregorian mode and History of music · Gregorian mode and Johann Pachelbel ·
Harpsichord
A harpsichord is a musical instrument played by means of a keyboard which activates a row of levers that in turn trigger a mechanism that plucks one or more strings with a small plectrum.
Harpsichord and History of music · Harpsichord and Johann Pachelbel ·
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a composer and musician of the Baroque period, born in the Duchy of Saxe-Eisenach.
History of music and Johann Sebastian Bach · Johann Pachelbel and Johann Sebastian Bach ·
Joseph Haydn
(Franz) Joseph HaydnSee Haydn's name.
History of music and Joseph Haydn · Johann Pachelbel and Joseph Haydn ·
Lyre
The lyre (λύρα, lýra) is a string instrument known for its use in Greek classical antiquity and later periods.
History of music and Lyre · Johann Pachelbel and Lyre ·
Mass (music)
The Mass (italic), a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism) to music.
History of music and Mass (music) · Johann Pachelbel and Mass (music) ·
Motet
In western music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the late medieval era to the present.
History of music and Motet · Johann Pachelbel and Motet ·
Musicology
Musicology is the scholarly analysis and research-based study of music.
History of music and Musicology · Johann Pachelbel and Musicology ·
Organ (music)
In music, the organ (from Greek ὄργανον organon, "organ, instrument, tool") is a keyboard instrument of one or more pipe divisions or other means for producing tones, each played with its own keyboard, played either with the hands on a keyboard or with the feet using pedals.
History of music and Organ (music) · Johann Pachelbel and Organ (music) ·
Ostinato
In music, an ostinato (derived from Italian: stubborn, compare English, from Latin: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, frequently at the same pitch.
History of music and Ostinato · Johann Pachelbel and Ostinato ·
Pachelbel's Canon
Pachelbel's Canon is the common name for a canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo (German: Kanon und Gigue für 3 Violinen mit Generalbaß) (PWC 37, T. 337, PC 358), sometimes referred to as Canon and Gigue in D or Canon in D. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from the 19th century.
History of music and Pachelbel's Canon · Johann Pachelbel and Pachelbel's Canon ·
Plainsong
Plainsong (also plainchant; cantus planus) is a body of chants used in the liturgies of the Western Church.
History of music and Plainsong · Johann Pachelbel and Plainsong ·
Polyphony
In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work.
History of music and Polyphony · Johann Pachelbel and Polyphony ·
Ricercar
A ricercar (also spelled ricercare, recercar, recercare) is a type of late Renaissance and mostly early Baroque instrumental composition.
History of music and Ricercar · Johann Pachelbel and Ricercar ·
Richard Wagner
Wilhelm Richard Wagner (22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his later works were later known, "music dramas").
History of music and Richard Wagner · Johann Pachelbel and Richard Wagner ·
The list above answers the following questions
- What History of music and Johann Pachelbel have in common
- What are the similarities between History of music and Johann Pachelbel
History of music and Johann Pachelbel Comparison
History of music has 309 relations, while Johann Pachelbel has 200. As they have in common 26, the Jaccard index is 5.11% = 26 / (309 + 200).
References
This article shows the relationship between History of music and Johann Pachelbel. To access each article from which the information was extracted, please visit: