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History of music and Johann Pachelbel

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between History of music and Johann Pachelbel

History of music vs. Johann Pachelbel

Music is found in every known culture, past and present, varying widely between times and places. Johann Pachelbel (baptised 1 September 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ tradition to its peak.

Similarities between History of music and Johann Pachelbel

History of music and Johann Pachelbel have 26 things in common (in Unionpedia): Baroque, Baroque music, Canon (music), Choir, Clavichord, Counterpoint, Figured bass, Fugue, Georg Philipp Telemann, George Frideric Handel, Girolamo Frescobaldi, Gregorian mode, Harpsichord, Johann Sebastian Bach, Joseph Haydn, Lyre, Mass (music), Motet, Musicology, Organ (music), Ostinato, Pachelbel's Canon, Plainsong, Polyphony, Ricercar, Richard Wagner.

Baroque

The Baroque is a highly ornate and often extravagant style of architecture, art and music that flourished in Europe from the early 17th until the late 18th century.

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Baroque music

Baroque music is a style of Western art music composed from approximately 1600 to 1750.

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Canon (music)

In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or dux), while the imitative melody, which is played in a different voice, is called the follower (or comes).

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Choir

A choir (also known as a quire, chorale or chorus) is a musical ensemble of singers.

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Clavichord

The clavichord is a European stringed keyboard instrument that was used largely in the late Medieval, through the Renaissance, Baroque and Classical eras.

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Counterpoint

In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour.

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Figured bass

Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, lute (or other instruments capable of playing chords) play in relation to the bass note that these numbers and symbols appear above or below.

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Fugue

In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.

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Georg Philipp Telemann

Georg Philipp Telemann (– 25 June 1767) was a German Baroque composer and multi-instrumentalist.

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George Frideric Handel

George Frideric (or Frederick) Handel (born italic; 23 February 1685 (O.S.) – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well-known for his operas, oratorios, anthems, and organ concertos.

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Girolamo Frescobaldi

Girolamo Alessandro Frescobaldi (also Gerolamo, Girolimo, and Geronimo Alissandro; September, 15831 March 1643) was a musician from Ferrara, one of the most important composers of keyboard music in the late Renaissance and early Baroque periods.

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Gregorian mode

A Gregorian mode (or church mode) is one of the eight systems of pitch organization used in Gregorian chant.

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Harpsichord

A harpsichord is a musical instrument played by means of a keyboard which activates a row of levers that in turn trigger a mechanism that plucks one or more strings with a small plectrum.

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Johann Sebastian Bach

Johann Sebastian Bach (28 July 1750) was a composer and musician of the Baroque period, born in the Duchy of Saxe-Eisenach.

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Joseph Haydn

(Franz) Joseph HaydnSee Haydn's name.

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Lyre

The lyre (λύρα, lýra) is a string instrument known for its use in Greek classical antiquity and later periods.

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Mass (music)

The Mass (italic), a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism) to music.

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Motet

In western music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the late medieval era to the present.

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Musicology

Musicology is the scholarly analysis and research-based study of music.

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Organ (music)

In music, the organ (from Greek ὄργανον organon, "organ, instrument, tool") is a keyboard instrument of one or more pipe divisions or other means for producing tones, each played with its own keyboard, played either with the hands on a keyboard or with the feet using pedals.

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Ostinato

In music, an ostinato (derived from Italian: stubborn, compare English, from Latin: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, frequently at the same pitch.

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Pachelbel's Canon

Pachelbel's Canon is the common name for a canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo (German: Kanon und Gigue für 3 Violinen mit Generalbaß) (PWC 37, T. 337, PC 358), sometimes referred to as Canon and Gigue in D or Canon in D. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from the 19th century.

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Plainsong

Plainsong (also plainchant; cantus planus) is a body of chants used in the liturgies of the Western Church.

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Polyphony

In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work.

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Ricercar

A ricercar (also spelled ricercare, recercar, recercare) is a type of late Renaissance and mostly early Baroque instrumental composition.

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Richard Wagner

Wilhelm Richard Wagner (22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his later works were later known, "music dramas").

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The list above answers the following questions

History of music and Johann Pachelbel Comparison

History of music has 309 relations, while Johann Pachelbel has 200. As they have in common 26, the Jaccard index is 5.11% = 26 / (309 + 200).

References

This article shows the relationship between History of music and Johann Pachelbel. To access each article from which the information was extracted, please visit:

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