Similarities between History of music and Music theory
History of music and Music theory have 32 things in common (in Unionpedia): Arabic music, Arnold Schoenberg, Baroque music, Blues, Canzona, Common practice period, Counterpoint, Figured bass, Folk music, History of music, Homophony, Human voice, Indian classical music, Madrigal, Melody, Middle Ages, Mode (music), Motet, Music history, Music of Mesopotamia, Musical instrument, Musical notation, Musicology, Persian traditional music, Plainsong, Polyphony, Pythagorean tuning, Repetition (music), Rhythm, Ricercar, ..., Samaveda, Tonality. Expand index (2 more) »
Arabic music
Arabic music or Arab music (Arabic: الموسيقى العربية – ALA-LC) is the music of the Arab people.
Arabic music and History of music · Arabic music and Music theory ·
Arnold Schoenberg
Arnold Franz Walter Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter.
Arnold Schoenberg and History of music · Arnold Schoenberg and Music theory ·
Baroque music
Baroque music is a style of Western art music composed from approximately 1600 to 1750.
Baroque music and History of music · Baroque music and Music theory ·
Blues
Blues is a music genre and musical form originated by African Americans in the Deep South of the United States around the end of the 19th century.
Blues and History of music · Blues and Music theory ·
Canzona
The canzona (It. plural canzone) is an instrumental musical form of the 16th and 17th centuries that developed from the Netherlandish chanson.
Canzona and History of music · Canzona and Music theory ·
Common practice period
In the history of European art music, the common practice period is the era between the formation and the decline of the tonal system.
Common practice period and History of music · Common practice period and Music theory ·
Counterpoint
In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour.
Counterpoint and History of music · Counterpoint and Music theory ·
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, lute (or other instruments capable of playing chords) play in relation to the bass note that these numbers and symbols appear above or below.
Figured bass and History of music · Figured bass and Music theory ·
Folk music
Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival.
Folk music and History of music · Folk music and Music theory ·
History of music
Music is found in every known culture, past and present, varying widely between times and places.
History of music and History of music · History of music and Music theory ·
Homophony
In music, homophony (Greek: ὁμόφωνος, homóphōnos, from ὁμός, homós, "same" and φωνή, phōnē, "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony and often provide rhythmic contrast.
History of music and Homophony · Homophony and Music theory ·
Human voice
The human voice consists of sound made by a human being using the vocal tract, such as talking, singing, laughing, crying, screaming, etc.
History of music and Human voice · Human voice and Music theory ·
Indian classical music
Indian classical music is a genre of South Asian music.
History of music and Indian classical music · Indian classical music and Music theory ·
Madrigal
A madrigal is a secular vocal music composition of the Renaissance and early Baroque eras.
History of music and Madrigal · Madrigal and Music theory ·
Melody
A melody (from Greek μελῳδία, melōidía, "singing, chanting"), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity.
History of music and Melody · Melody and Music theory ·
Middle Ages
In the history of Europe, the Middle Ages (or Medieval Period) lasted from the 5th to the 15th century.
History of music and Middle Ages · Middle Ages and Music theory ·
Mode (music)
In the theory of Western music, a mode is a type of musical scale coupled with a set of characteristic melodic behaviors.
History of music and Mode (music) · Mode (music) and Music theory ·
Motet
In western music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the late medieval era to the present.
History of music and Motet · Motet and Music theory ·
Music history
Music history, sometimes called historical musicology, is the highly diverse subfield of the broader discipline of musicology that studies music from a historical viewpoint.
History of music and Music history · Music history and Music theory ·
Music of Mesopotamia
This article treats the music of Ancient Mesopotamia.
History of music and Music of Mesopotamia · Music of Mesopotamia and Music theory ·
Musical instrument
A musical instrument is an instrument created or adapted to make musical sounds.
History of music and Musical instrument · Music theory and Musical instrument ·
Musical notation
Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols.
History of music and Musical notation · Music theory and Musical notation ·
Musicology
Musicology is the scholarly analysis and research-based study of music.
History of music and Musicology · Music theory and Musicology ·
Persian traditional music
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, refers to the classical music of Iran (also known as Persia).
History of music and Persian traditional music · Music theory and Persian traditional music ·
Plainsong
Plainsong (also plainchant; cantus planus) is a body of chants used in the liturgies of the Western Church.
History of music and Plainsong · Music theory and Plainsong ·
Polyphony
In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work.
History of music and Polyphony · Music theory and Polyphony ·
Pythagorean tuning
Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are based on the ratio 3:2.
History of music and Pythagorean tuning · Music theory and Pythagorean tuning ·
Repetition (music)
Repetition is important in music, where sounds or sequences are often repeated.
History of music and Repetition (music) · Music theory and Repetition (music) ·
Rhythm
Rhythm (from Greek ῥυθμός, rhythmos, "any regular recurring motion, symmetry") generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions".
History of music and Rhythm · Music theory and Rhythm ·
Ricercar
A ricercar (also spelled ricercare, recercar, recercare) is a type of late Renaissance and mostly early Baroque instrumental composition.
History of music and Ricercar · Music theory and Ricercar ·
Samaveda
The Samaveda (Sanskrit: सामवेद, sāmaveda, from "song" and "knowledge"), is the Veda of melodies and chants.
History of music and Samaveda · Music theory and Samaveda ·
Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality.
The list above answers the following questions
- What History of music and Music theory have in common
- What are the similarities between History of music and Music theory
History of music and Music theory Comparison
History of music has 309 relations, while Music theory has 281. As they have in common 32, the Jaccard index is 5.42% = 32 / (309 + 281).
References
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