Similarities between Josquin des Prez and Nicolas Gombert
Josquin des Prez and Nicolas Gombert have 19 things in common (in Unionpedia): Baroque music, Benefice, Canon (music), Cantus firmus, Chanson, Condé-sur-l'Escaut, Counterpoint, Franco-Flemish School, Giovanni Pierluigi da Palestrina, Imitation (music), Lille, Mass (music), Motet, Orlande de Lassus, Pierre de la Rue, Polyphony, Psalms, Renaissance, Richard Taruskin.
Baroque music
Baroque music is a style of Western art music composed from approximately 1600 to 1750.
Baroque music and Josquin des Prez · Baroque music and Nicolas Gombert ·
Benefice
A benefice or living is a reward received in exchange for services rendered and as a retainer for future services.
Benefice and Josquin des Prez · Benefice and Nicolas Gombert ·
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or dux), while the imitative melody, which is played in a different voice, is called the follower (or comes).
Canon (music) and Josquin des Prez · Canon (music) and Nicolas Gombert ·
Cantus firmus
In music, a cantus firmus ("fixed song") is a pre-existing melody forming the basis of a polyphonic composition.
Cantus firmus and Josquin des Prez · Cantus firmus and Nicolas Gombert ·
Chanson
A chanson ("song", from Latin cantio, gen. cantionis) is in general any lyric-driven French song, usually polyphonic and secular.
Chanson and Josquin des Prez · Chanson and Nicolas Gombert ·
Condé-sur-l'Escaut
Condé-sur-l'Escaut is a commune of the Nord department in northern France.
Condé-sur-l'Escaut and Josquin des Prez · Condé-sur-l'Escaut and Nicolas Gombert ·
Counterpoint
In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour.
Counterpoint and Josquin des Prez · Counterpoint and Nicolas Gombert ·
Franco-Flemish School
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition originating from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it.
Franco-Flemish School and Josquin des Prez · Franco-Flemish School and Nicolas Gombert ·
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina (1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.
Giovanni Pierluigi da Palestrina and Josquin des Prez · Giovanni Pierluigi da Palestrina and Nicolas Gombert ·
Imitation (music)
In music, imitation is the repetition of a melody in a polyphonic texture shortly after its first appearance in a different voice.
Imitation (music) and Josquin des Prez · Imitation (music) and Nicolas Gombert ·
Lille
Lille (Rijsel; Rysel) is a city at the northern tip of France, in French Flanders.
Josquin des Prez and Lille · Lille and Nicolas Gombert ·
Mass (music)
The Mass (italic), a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism) to music.
Josquin des Prez and Mass (music) · Mass (music) and Nicolas Gombert ·
Motet
In western music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the late medieval era to the present.
Josquin des Prez and Motet · Motet and Nicolas Gombert ·
Orlande de Lassus
Orlande de Lassus (also Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre or Roland de Lattre; 1532, possibly 1530 – 14 June 1594) was a Netherlandish or Franco-Flemish composer of the late Renaissance.
Josquin des Prez and Orlande de Lassus · Nicolas Gombert and Orlande de Lassus ·
Pierre de la Rue
Pierre de la Rue (– 20 November 1518) was a Franco-Flemish composer and singer of the Renaissance.
Josquin des Prez and Pierre de la Rue · Nicolas Gombert and Pierre de la Rue ·
Polyphony
In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work.
Josquin des Prez and Polyphony · Nicolas Gombert and Polyphony ·
Psalms
The Book of Psalms (תְּהִלִּים or, Tehillim, "praises"), commonly referred to simply as Psalms or "the Psalms", is the first book of the Ketuvim ("Writings"), the third section of the Hebrew Bible, and a book of the Christian Old Testament.
Josquin des Prez and Psalms · Nicolas Gombert and Psalms ·
Renaissance
The Renaissance is a period in European history, covering the span between the 14th and 17th centuries.
Josquin des Prez and Renaissance · Nicolas Gombert and Renaissance ·
Richard Taruskin
Richard Taruskin (born 1945, New York) is an American musicologist, music historian, and critic who has written about the theory of performance, Russian music, 15th-century music, 20th-century music, nationalism, the theory of modernism, and analysis.
Josquin des Prez and Richard Taruskin · Nicolas Gombert and Richard Taruskin ·
The list above answers the following questions
- What Josquin des Prez and Nicolas Gombert have in common
- What are the similarities between Josquin des Prez and Nicolas Gombert
Josquin des Prez and Nicolas Gombert Comparison
Josquin des Prez has 123 relations, while Nicolas Gombert has 74. As they have in common 19, the Jaccard index is 9.64% = 19 / (123 + 74).
References
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