Similarities between Pavement (band) and The Fall (band)
Pavement (band) and The Fall (band) have 14 things in common (in Unionpedia): All Tomorrow's Parties (festival), Alternative rock, Cult following, Domino Recording Company, Extended play, Flying Nun Records, Mark E. Smith, Matador Records, NME, Pitchfork (website), Post-punk, Sonic Youth, Spin (magazine), Stephen Thomas Erlewine.
All Tomorrow's Parties (festival)
All Tomorrow's Parties was an organisation based in London that promoted music festivals, concerts and records throughout the world for over ten years.
All Tomorrow's Parties (festival) and Pavement (band) · All Tomorrow's Parties (festival) and The Fall (band) ·
Alternative rock
Alternative rock (also called alternative music, alt-rock or simply alternative) is a style of rock music that emerged from the independent music underground of the 1980s and became widely popular in the 1990s.
Alternative rock and Pavement (band) · Alternative rock and The Fall (band) ·
Cult following
A cult following is a group of fans who are highly dedicated to a work of culture, often referred to as a cult classic.
Cult following and Pavement (band) · Cult following and The Fall (band) ·
Domino Recording Company
Domino Recording Company (also known as Domino Records, generally known as Domino) is a British independent record label based in London.
Domino Recording Company and Pavement (band) · Domino Recording Company and The Fall (band) ·
Extended play
An extended play record, often referred to as an EP, is a musical recording that contains more tracks than a single, but is usually unqualified as an album or LP.
Extended play and Pavement (band) · Extended play and The Fall (band) ·
Flying Nun Records
Flying Nun Records is an independent record label formed in Christchurch, New Zealand in 1981 by music-store manager Roger Shepherd.
Flying Nun Records and Pavement (band) · Flying Nun Records and The Fall (band) ·
Mark E. Smith
Mark Edward Smith (5 March 1957 – 24 January 2018) was an English singer and songwriter.
Mark E. Smith and Pavement (band) · Mark E. Smith and The Fall (band) ·
Matador Records
Matador Records is an independent record label, with a roster of mainly indie rock, but also punk rock, experimental rock, alternative rock, and electronic acts.
Matador Records and Pavement (band) · Matador Records and The Fall (band) ·
NME
New Musical Express (NME) is a British music journalism website and former magazine that has been published since 1952.
NME and Pavement (band) · NME and The Fall (band) ·
Pitchfork (website)
Pitchfork is an American online magazine launched in 1995 by Ryan Schreiber, based in Chicago, Illinois and owned by Condé Nast.
Pavement (band) and Pitchfork (website) · Pitchfork (website) and The Fall (band) ·
Post-punk
Post-punk (originally called new musick) is a broad type of rock music that emerged from the punk movement of the 1970s, in which artists departed from the simplicity and traditionalism of punk rock to adopt a variety of avant-garde sensibilities.
Pavement (band) and Post-punk · Post-punk and The Fall (band) ·
Sonic Youth
Sonic Youth was an American rock band based in New York City, formed in 1981.
Pavement (band) and Sonic Youth · Sonic Youth and The Fall (band) ·
Spin (magazine)
Spin is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. The magazine stopped running in print in 2012 and currently runs as a webzine.
Pavement (band) and Spin (magazine) · Spin (magazine) and The Fall (band) ·
Stephen Thomas Erlewine
Stephen Thomas Erlewine (born June 18, 1973) is an American music critic and senior editor for AllMusic.
Pavement (band) and Stephen Thomas Erlewine · Stephen Thomas Erlewine and The Fall (band) ·
The list above answers the following questions
- What Pavement (band) and The Fall (band) have in common
- What are the similarities between Pavement (band) and The Fall (band)
Pavement (band) and The Fall (band) Comparison
Pavement (band) has 127 relations, while The Fall (band) has 175. As they have in common 14, the Jaccard index is 4.64% = 14 / (127 + 175).
References
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