Tetrachord and Twelve-tone technique

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Difference between Tetrachord and Twelve-tone technique

Tetrachord vs. Twelve-tone technique

In music theory, a tetrachord (τετράχορδoν, tetrachordum) is a series of four notes separated by three smaller intervals. Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence.

All-interval tetrachord

An all-interval tetrachord is a tetrachord, a collection of four pitch classes, containing all six interval classes.

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Equal temperament

An equal temperament is a musical temperament, or a system of tuning, in which the frequency interval between every pair of adjacent notes has the same ratio.

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Harmony

In music, harmony considers the process by which the composition of individual sounds, or superpositions of sounds, is analysed by hearing.

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Interval (music)

In music theory, an interval is the difference between two pitches.

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Major third

In classical music from Western culture, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third is a third spanning four semitones.

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Octave

In music, an octave (octavus: eighth) or perfect octave is the interval between one musical pitch and another with half or double its frequency.

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Ostinato

In music, an ostinato (derived from Italian: stubborn, compare English, from Latin: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, frequently at the same pitch.

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Semitone

A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.

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Tone row

In music, a tone row or note row (Reihe or Tonreihe), also series or set,George Perle, Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern, fourth Edition (Berkeley, Los Angeles, and London: University of California Press, 1977): 3.

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Twelve-tone technique

Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence.

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