Clavier-Übung III and Symphony No. 4 (Brahms)

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Clavier-Übung III and Symphony No. 4 (Brahms)

Clavier-Übung III vs. Symphony No. 4 (Brahms)

The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. The Symphony No.

Similarities between Clavier-Übung III and Symphony No. 4 (Brahms)

Clavier-Übung III and Symphony No. 4 (Brahms) have 9 things in common (in Unionpedia): Arnold Schoenberg, Coda (music), Counterpoint, Johann Sebastian Bach, Johannes Brahms, Max Kalbeck, Passacaglia, Phrygian mode, Ternary form.

Arnold Schoenberg

Arnold Franz Walter Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter.

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Coda (music)

In music, a coda (Italian for "tail", plural code) is a passage that brings a piece (or a movement) to an end.

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Counterpoint

In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour.

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Johann Sebastian Bach

Johann Sebastian Bach (28 July 1750) was a composer and musician of the Baroque period, born in the Duchy of Saxe-Eisenach.

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Johannes Brahms

Johannes Brahms (7 May 1833 – 3 April 1897) was a German composer and pianist of the Romantic period.

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Max Kalbeck

Max Kalbeck (January 4, 1850May 4, 1921) was a German writer, critic and translator.

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Passacaglia

The passacaglia is a musical form that originated in early seventeenth-century Spain and is still used today by composers.

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The Phrygian mode (pronounced) can refer to three different musical modes: the ancient Greek tonos or harmonia sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.

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Ternary form

Ternary form, sometimes called song form, is a three-part musical form where the first section (A) is repeated after the second section (B) ends.

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The list above answers the following questions

What Clavier-Übung III and Symphony No. 4 (Brahms) have in common
What are the similarities between Clavier-Übung III and Symphony No. 4 (Brahms)

Clavier-Übung III and Symphony No. 4 (Brahms) Comparison

Clavier-Übung III has 418 relations, while Symphony No. 4 (Brahms) has 55. As they have in common 9, the Jaccard index is 1.90% = 9 / (418 + 55).

References

This article shows the relationship between Clavier-Übung III and Symphony No. 4 (Brahms). To access each article from which the information was extracted, please visit:

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