Faster access than browser!Similarities between Dorian ♭2 scale and G (musical note)
Dorian ♭2 scale and G (musical note) have 10 things in common (in Unionpedia): Acoustic scale, Aeolian dominant scale, Altered scale, Dorian mode, Half diminished scale, Jazz minor scale, Lydian augmented scale, Perfect fifth, Perfect fourth, Phrygian mode.
Acoustic scale
In music, the acoustic scale, overtone scale, Lydian dominant scale, or Lydian 7 scale, is a seven-note synthetic scale.
Acoustic scale and Dorian ♭2 scale · Acoustic scale and G (musical note) ·
Aeolian dominant scale
The Aeolian dominant scale (also known as the Hindu scale, the Mixolydian 6, Aeolian major, and melodic major) is the fifth mode of the melodic minor scale.
Aeolian dominant scale and Dorian ♭2 scale · Aeolian dominant scale and G (musical note) ·
Altered scale
In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered.
Altered scale and Dorian ♭2 scale · Altered scale and G (musical note) ·
Dorian mode
Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it), one of the medieval musical modes, or, most commonly, one of the modern modal diatonic scales, corresponding to the white notes from D to D, or any transposition of this.
Dorian mode and Dorian ♭2 scale · Dorian mode and G (musical note) ·
Half diminished scale
The half diminished scale is a seven-note musical scale.
Dorian ♭2 scale and Half diminished scale · G (musical note) and Half diminished scale ·
Jazz minor scale
The jazz minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used.
Dorian ♭2 scale and Jazz minor scale · G (musical note) and Jazz minor scale ·
Lydian augmented scale
In music, the Lydian augmented scale (Lydian 5 scale) is the third mode of the ascending melodic minor scale or jazz minor scale.
Dorian ♭2 scale and Lydian augmented scale · G (musical note) and Lydian augmented scale ·
Perfect fifth
In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so.
Dorian ♭2 scale and Perfect fifth · G (musical note) and Perfect fifth ·
Perfect fourth
In classical music from Western culture, a fourth spans exactly four letter names (staff positions), while a perfect fourth (harmonic series) always involves the same interval, regardless of key (sharps and flats) between letters. A perfect fourth is the relationship between the third and fourth harmonics, sounding neither major nor minor, but consonant with an unstable quality (additive synthesis). In the key of C, the notes C and F constitute a perfect fourth relationship, as they're separated by four semitones (C, C#, D, D#, E, F). Up until the late 19th century, the perfect fourth was often called by its Greek name, diatessaron. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents, while in equal temperament a perfect fourth is equal to five semitones, or 500 cents. The perfect fourth is a perfect interval like the unison, octave, and perfect fifth, and it is a sensory consonance. In common practice harmony, however, it is considered a stylistic dissonance in certain contexts, namely in two-voice textures and whenever it appears above the bass. If the bass note also happens to be the chord's root, the interval's upper note almost always temporarily displaces the third of any chord, and, in the terminology used in popular music, is then called a suspended fourth. Conventionally, adjacent strings of the double bass and of the bass guitar are a perfect fourth apart when unstopped, as are all pairs but one of adjacent guitar strings under standard guitar tuning. Sets of tom-tom drums are also commonly tuned in perfect fourths. The 4:3 just perfect fourth arises in the C major scale between G and C.
Dorian ♭2 scale and Perfect fourth · G (musical note) and Perfect fourth ·
Phrygian mode
The Phrygian mode (pronounced) can refer to three different musical modes: the ancient Greek tonos or harmonia sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
Dorian ♭2 scale and Phrygian mode · G (musical note) and Phrygian mode ·
The list above answers the following questions
- What Dorian ♭2 scale and G (musical note) have in common
- What are the similarities between Dorian ♭2 scale and G (musical note)
Dorian ♭2 scale and G (musical note) Comparison
Dorian ♭2 scale has 23 relations, while G (musical note) has 31. As they have in common 10, the Jaccard index is 18.52% = 10 / (23 + 31).
References
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