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39 relations: Borrowed chord, Cadence (music), Chord (music), Chord substitution, Chromatic mediant, Closely related key, Consecutive fifths, Diatonic function, Dominant (music), Enharmonic, Fifth (chord), Four-part harmony, German language, Hermann von Helmholtz, Hugo Riemann, Immanuel Faisst, Journal of Music Theory Pedagogy, Key (music), Klang (music), Leading-tone, List of major/minor compositions, Major second, Mediant, Minor third, Music, Neapolitan chord, Parallel harmony, Primary triad, Relative key, Riemannian theory, Root (chord), Semitone, Subdominant, Submediant, Subsidiary chord, Subtonic, Supertonic, Tonic (music), Voice leading.
Borrowed chord
A borrowed chord (also called mode mixture,Romeo, Sheila (1999). Complete Rock Keyboard Method: Mastering Rock Keyboard, p.42.. Bouchard, Joe and Romeo, Sheila (2007). The Total Rock Keyboardist, p.120. Alfred Music.. modal mixture, substitutedWhite (1911), p.42. modal interchange) is a chord borrowed from the parallel key (minor or major scale with the same tonic).
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Cadence (music)
In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).
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Chord (music)
A chord, in music, is any harmonic set of pitches consisting of two or more (usually three or more) notes (also called "pitches") that are heard as if sounding simultaneously.
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Chord substitution
In music theory, chord substitution is the technique of using a chord in place of another in a sequence of chords, or a chord progression.
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Chromatic mediant
In music, chromatic mediants are "altered mediant and submediant chords." A chromatic mediant relationship defined conservatively is a relationship between two sections and/or chords whose roots are related by a major third or minor third, and contain one common tone (thereby sharing the same quality, i.e. major or minor).
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Closely related key
In music, a closely related key is one sharing many common tones with an original key, as opposed to a distantly related key (or "close key" and "distant key").
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Consecutive fifths
In music, consecutive fifths, or parallel fifths, are progressions in which the interval of a perfect fifth is followed by a different perfect fifth between the same two musical parts (or voices): for example, from C to D in one part along with G to A in a higher part.
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Diatonic function
In tonal music theory, a function (often called harmonic function, tonal function or diatonic function, or also chord area) is the relationship of a chord to a tonal center.
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Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale.
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Enharmonic
In modern musical notation and tuning, an enharmonic equivalent is a note, interval, or key signature that is equivalent to some other note, interval, or key signature but "spelled", or named differently.
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Fifth (chord)
In music, the fifth factor of a chord is the note or pitch that is the fifth scale degree, counting the root or tonal center.
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Four-part harmony
The term "four-part harmony" refers to music written for four voices or for some other musical medium—four musical instruments or a single keyboard instrument, for example—where the various musical parts can give a different note for each chord of the music.
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German language
German (Deutsch) is a West Germanic language that is mainly spoken in Central Europe.
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Hermann von Helmholtz
Hermann Ludwig Ferdinand von Helmholtz (August 31, 1821 – September 8, 1894) was a German physician and physicist who made significant contributions in several scientific fields.
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Hugo Riemann
Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German music theorist and composer.
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Immanuel Faisst
Immanuel Gottlob Friedrich Faisst (13 October 1823 in Esslingen am Neckar – 5 June 1894 in Stuttgart) was a German composer and co-founder of the Stuttgart Music School, whose director he was, until his death.
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Journal of Music Theory Pedagogy
The Journal of Music Theory Pedagogy is an annual peer-reviewed academic journal covering the teaching and pedagogy of music theory and analysis.
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a music composition in classical, Western art, and Western pop music.
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Klang (music)
In music, klang (also "clang") is a term sometimes used to translate the German Klang, a highly polysemic word.
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Leading-tone
In music theory, a leading-note (also subsemitone, and called the leading-tone in the US) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively.
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List of major/minor compositions
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor).
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Major second
In Western music theory, a major second (sometimes also called whole tone) is a second spanning two semitones.
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Mediant
In music, the mediant (Latin: to be in the middle) is the third scale degree of a diatonic scale, being the note halfway between the tonic and the dominant.
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Minor third
In the music theory of Western culture, a minor third is a musical interval that encompasses three half steps, or semitones.
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Music
Music is an art form and cultural activity whose medium is sound organized in time.
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Neapolitan chord
In music theory, a Neapolitan chord (or simply a "Neapolitan") is a major chord built on the lowered (flatted) second (supertonic) scale degree.
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Parallel harmony
In music, parallel harmony, also known as harmonic parallelism, harmonic planing or parallel voice leading, is the parallel movement of two or more lines (see voice leading).
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Primary triad
In music, a primary triad is one of the three triads, or three-note chords built from major or minor thirds, most important in tonal and diatonic music, as opposed to an auxiliary triad or secondary triad.
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Relative key
In music, relative keys are the major and minor scales that have the same key signatures.
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Riemannian theory
"Riemannian theory" in general refers to the musical theories of German theorist Hugo Riemann (1849–1919).
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Root (chord)
In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes.
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Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.
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Subdominant
In music, the subdominant is the technical name for the fourth tonal degree of the diatonic scale.
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Submediant
In music, the submediant is the sixth scale degree of the diatonic scale, the 'lower mediant', halfway between the tonic and the subdominant or 'lower dominant'.
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Subsidiary chord
In music and musical analysis, a subsidiary chord is an elaboration of a principal harmonic chord in a chord progression.
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Subtonic
In music, the subtonic is the scale degree below the tonic or, more specifically, the flattened seventh (VII): the lowered or minor seventh degree of the scale, a whole step below the tonic, as opposed to the leading tone, which is only a half step below the tonic.
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Supertonic
In music, the supertonic is the second degree or note of a diatonic scale, one step above the tonic.
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Tonic (music)
In music, the tonic is the first scale degree of a diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music and traditional music.
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Voice leading
Voice leading is the term used to describe the linear progression of melodic lines (voices) and their interaction with one another to create harmonies, according to the principles of common-practice harmony and counterpoint.
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Contrast chord, Counter chord, Counter parallel, Dominant contrast chord, Dominant leittonwechselklänge, Dominant parallel, Gegenklang, Leittonwechselklange, Leittonwechselklänge, Parallel and contrast chord, Subdominant contrast chord, Subdominant leittonwechselklänge, Subdominant parallel, Tonic counter parallel, Tonic parallel.
References
[1] https://en.wikipedia.org/wiki/Parallel_and_counter_parallel
