We are working to restore the Unionpedia app on the Google Play Store
OutgoingIncoming
🌟We've simplified our design for better navigation!
Instagram Facebook X LinkedIn

Music of the Future

Index Music of the Future

"Music of the Future" ("Zukunftsmusik") is the title of an essay by Richard Wagner, first published in French translation in 1860 as "La musique de l'avenir" and published in the original German in 1861. [1]

Table of Contents

  1. 49 relations: Alexander Ritter, Allgemeiner Deutscher Musikverein, Anton Rubinstein, Art and Revolution, Bavarian State Library, Carl Maria von Weber, Christoph Kammertöns, Clara Schumann, Comédie-Italienne, Dante Symphony, Eduard Sobolewski, Edward Dannreuther, Esztergom, Felix Draeseke, Felix Mendelssohn, Ferdinand Hiller, Franz Brendel, Franz Liszt, French language, Friedrich Wieck, George Frideric Handel, Giacomo Meyerbeer, Giuseppe Verdi, Grand opera, Hans von Bülow, Harold en Italie, Hector Berlioz, Joachim Raff, Joseph Joachim, Les Troyens, Libretto, Louis Spohr, Ludwig Bischoff, Ludwig van Beethoven, Musikdrama, Opera, Opera and Drama, Peter Cornelius, Piano Sonata in B minor (Liszt), Quotation mark, Richard Pohl, Richard Wagner, Robert Schumann, Symphonic poem, Tannhäuser (opera), The Artwork of the Future, Tomi Mäkelä, Tristan und Isolde, Weimar.

  2. 1860 essays
  3. 1860 in music
  4. Essays by Richard Wagner
  5. German music history
  6. Works originally published in German magazines

Alexander Ritter

Alexander Sascha Ritter (7 June 1833 – 12 April 1896) was a German composer and violinist.

See Music of the Future and Alexander Ritter

Allgemeiner Deutscher Musikverein

The Allgemeiner Deutscher Musikverein (ADMV, "General German Music Association") was a German musical association founded in 1861 by Franz Liszt and Franz Brendel, to embody the musical ideals of the New German School of music. Music of the Future and Allgemeiner Deutscher Musikverein are German music history.

See Music of the Future and Allgemeiner Deutscher Musikverein

Anton Rubinstein

Anton Grigoryevich Rubinstein (Anton Grigoryevich Rubinshteyn) was a Russian pianist, composer and conductor who founded the Saint Petersburg Conservatory.

See Music of the Future and Anton Rubinstein

Art and Revolution

"Art and Revolution" (original German title "Die Kunst und die Revolution") is a long essay by the composer Richard Wagner, originally published in 1849. Music of the Future and Art and Revolution are essays by Richard Wagner and works originally published in German magazines.

See Music of the Future and Art and Revolution

Bavarian State Library

The Bavarian State Library (Bayerische Staatsbibliothek, abbreviated BSB, called Bibliotheca Regia Monacensis before 1919) in Munich is the central "Landesbibliothek", i. e. the state library of the Free State of Bavaria, the biggest universal and research library in Germany and one of Europe's most important universal libraries.

See Music of the Future and Bavarian State Library

Carl Maria von Weber

Carl Maria Friedrich Ernst von Weber (5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic of the early Romantic period.

See Music of the Future and Carl Maria von Weber

Christoph Kammertöns

Christoph Kammertöns (born 1966) is a German musicologist and music educator.

See Music of the Future and Christoph Kammertöns

Clara Schumann

Clara Josephine Schumann (née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher.

See Music of the Future and Clara Schumann

Comédie-Italienne

Comédie-Italienne or Théâtre-Italien are French names which have been used to refer to Italian-language theatre and opera when performed in France.

See Music of the Future and Comédie-Italienne

Dante Symphony

A Symphony to Dante's Divine Comedy, S.109, or simply the "Dante Symphony", is a choral symphony composed by Franz Liszt.

See Music of the Future and Dante Symphony

Eduard Sobolewski

Johann Friedrich Eduard Sobolewski (born Königsberg (Królewiec), October 1, 1804 or 1808 - died St. Louis, May 17, 1872) was a Polish-American violinist, composer, and conductor.

See Music of the Future and Eduard Sobolewski

Edward Dannreuther

Edward George Dannreuther (4 November 1844, in Strasbourg – 12 February 1905, in Hastings) was a pianist and writer on music, resident from 1863 in England.

See Music of the Future and Edward Dannreuther

Esztergom

Esztergom (Gran; Solva or Strigonium; Ostrihom, known by alternative names) is a city with county rights in northern Hungary, northwest of the capital Budapest.

See Music of the Future and Esztergom

Felix Draeseke

Felix August Bernhard Draeseke (7 October 1835 – 26 February 1913) was a composer of the "New German School" admiring Franz Liszt and Richard Wagner.

See Music of the Future and Felix Draeseke

Felix Mendelssohn

Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.

See Music of the Future and Felix Mendelssohn

Ferdinand Hiller

Ferdinand (von) Hiller (24 October 1811 – 11 May 1885) was a German composer, conductor, pianist, writer and music director.

See Music of the Future and Ferdinand Hiller

Franz Brendel

Karl Franz Brendel (26 November 1811 – 25 November 1868) was a German music critic, journalist and musicologist born in Stolberg, the son of a successful mining engineer named Christian Friedrich Brendel.

See Music of the Future and Franz Brendel

Franz Liszt

Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period.

See Music of the Future and Franz Liszt

French language

French (français,, or langue française,, or by some speakers) is a Romance language of the Indo-European family.

See Music of the Future and French language

Friedrich Wieck

Johann Gottlob Friedrich Wieck (18 August 1785 – 6 October 1873) was a noted German piano teacher, voice teacher, owner of a piano store, and author of essays and music reviews.

See Music of the Future and Friedrich Wieck

George Frideric Handel

George Frideric (or Frederick) Handel (baptised italic,; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos.

See Music of the Future and George Frideric Handel

Giacomo Meyerbeer

Giacomo Meyerbeer (born Jakob Liebmann Meyer Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner".

See Music of the Future and Giacomo Meyerbeer

Giuseppe Verdi

Giuseppe Fortunino Francesco Verdi (9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas.

See Music of the Future and Giuseppe Verdi

Grand opera

Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras.

See Music of the Future and Grand opera

Hans von Bülow

Freiherr Hans Guido von Bülow (8 January 1830 – 12 February 1894) was a German conductor, virtuoso pianist, and composer of the Romantic era.

See Music of the Future and Hans von Bülow

Harold en Italie

Harold en Italie, symphonie avec un alto principal (Harold in Italy, symphony with viola obbligato), as the manuscript describes it, is a four-movement orchestral work by Hector Berlioz, his Opus 16, H. 68, written in 1834.

See Music of the Future and Harold en Italie

Hector Berlioz

Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor.

See Music of the Future and Hector Berlioz

Joachim Raff

Joseph Joachim Raff (27 May 182224 or 25 June 1882) was a German-Swiss composer, pedagogue and pianist.

See Music of the Future and Joachim Raff

Joseph Joachim

Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin.

See Music of the Future and Joseph Joachim

Les Troyens

Les Troyens (in English: The Trojans) is a French grand opera in five acts, running for about five hours, by Hector Berlioz.

See Music of the Future and Les Troyens

Libretto

A libretto (an English word derived from the Italian word libretto) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical.

See Music of the Future and Libretto

Louis Spohr

Louis Spohr (5 April 178422 October 1859), baptized Ludewig Spohr, later often in the modern German form of the name Ludwig was a German composer, violinist and conductor.

See Music of the Future and Louis Spohr

Ludwig Bischoff

Ludwig Bischoff (27 November 1794 – 24 February 1867) was a German educator, musician, critic and publisher.

See Music of the Future and Ludwig Bischoff

Ludwig van Beethoven

Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist.

See Music of the Future and Ludwig van Beethoven

Musikdrama

is a German word that means a unity of prose and music.

See Music of the Future and Musikdrama

Opera

Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers.

See Music of the Future and Opera

Opera and Drama

Opera and Drama (Oper und Drama) is a book-length essay written by Richard Wagner in 1851 setting out his ideas on the ideal characteristics of opera as an art form. Music of the Future and opera and Drama are essays by Richard Wagner and German music history.

See Music of the Future and Opera and Drama

Peter Cornelius

Carl August Peter Cornelius (24 December 1824 – 26 October 1874) was a German composer, writer about music, poet and translator.

See Music of the Future and Peter Cornelius

Piano Sonata in B minor (Liszt)

The Piano Sonata in B minor (Klaviersonate h-moll), S.178, is a piano sonata by Franz Liszt.

See Music of the Future and Piano Sonata in B minor (Liszt)

Quotation mark

Quotation marks are punctuation marks used in pairs in various writing systems to identify direct speech, a quotation, or a phrase.

See Music of the Future and Quotation mark

Richard Pohl

Richard Pohl (September 12, 1826 – December 17, 1896) was a German music critic, writer, poet, and amateur composer.

See Music of the Future and Richard Pohl

Richard Wagner

Wilhelm Richard Wagner (22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas").

See Music of the Future and Richard Wagner

Robert Schumann

Robert Schumann (8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic era.

See Music of the Future and Robert Schumann

Symphonic poem

A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source.

See Music of the Future and Symphonic poem

Tannhäuser (opera)

Tannhäuser (full title Tannhäuser und der Sängerkrieg auf Wartburg, "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner (WWV 70 in the catalogue of the composer's works).

See Music of the Future and Tannhäuser (opera)

The Artwork of the Future

"The Artwork of the Future" (Das Kunstwerk der Zukunft) is a long essay written by Richard Wagner, first published in 1849 in Leipzig, in which he sets out some of his ideals on the topics of art in general and music drama in particular. Music of the Future and the Artwork of the Future are essays by Richard Wagner and works originally published in German magazines.

See Music of the Future and The Artwork of the Future

Tomi Mäkelä

Tomi Matti Mäkelä (born 3 January 1964 in Lahti) is a Finnish musicologist and pianist, professor at the Martin-Luther-Universität Halle-Wittenberg in Germany.

See Music of the Future and Tomi Mäkelä

Tristan und Isolde

Tristan und Isolde (Tristan and Isolde), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg.

See Music of the Future and Tristan und Isolde

Weimar

Weimar is a city in the German state of Thuringia, in Central Germany between Erfurt to the west and Jena to the east, southwest of Leipzig, north of Nuremberg and west of Dresden.

See Music of the Future and Weimar

See also

1860 essays

1860 in music

Essays by Richard Wagner

German music history

Works originally published in German magazines

References

[1] https://en.wikipedia.org/wiki/Music_of_the_Future

Also known as Zukunftsmusik.